The Curatorial

A Philosophy of Curating

Author: Jean-Paul Martinon

Publisher: A&C Black

ISBN: 1472533615

Category: Philosophy

Page: 224

View: 9658

Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself. In order to start thinking about curating, this book takes a new approach to the topic. Instead of relying on conventional art historical narratives (for example, identifying the moments when artistic and curatorial practices merged or when the global curator-author was first identified), this book puts forward a multiplicity of perspectives that go from the anecdotal to the theoretical and from the personal to the philosophical. These perspectives allow for a fresh reflection on curating, one in which, suddenly, curating becomes an activity that implicates us all (artists, curators, and viewers), not just as passive recipients, but as active members. As such, the Curatorial is a book without compromise: it asks us to think again, fight against sweeping art historical generalizations, the sedimentation of ideas and the draw of the sound bite. Curating will not stop, but at least with this book it can begin to allow itself to be challenged by some of the most complex and ethics-driven thought of our times.
Posted in Philosophy

The Curatorial Conundrum

What to Study? What to Research? What to Practice?

Author: Paul O'Neill,Mick Wilson,Lucy Steeds

Publisher: Mit Press

ISBN: 9780262529105

Category: Art museum curators

Page: 352

View: 8504

Today curators are sometimes more famous than the artists whose work they curate, and curatorship involves more than choosing objects for an exhibition. The expansion of the curatorial field in recent decades has raised questions about exhibition-making itself and the politics of production, display, and distribution. The Curatorial Conundrum looks at the burgeoning field of curatorship and tries to imagine its future. Indeed, practitioners and theorists consider a variety of futures: the future of curatorial education; the future of curatorial research; the future of curatorial and artistic practice; and the institutions that will make these other futures possible. The contributors examine the proliferation of graduate programs in curatorial studies over the last twenty years, and consider what can be taught without giving up what is precisely curatorial, within the ever-expanding parameters of curatorial practice in recent times. They discuss curating as collaborative research, asking what happens when exhibition operates as a mode of research in its own right. They explore curatorial practice as an exercise in questioning the world around us; and they speculate about what it will take to build new, innovative, and progressive curatorial research institutions. ContributorsNancy Adajania, Thomas Boutoux, Mélanie Bouteloup, Nikita Yingqian Cai, Luis Camnitzer, Eddie Chambers, Zasha Colah, Galit Eilat, Annie Fletcher, Lia Gangitano, Liam Gillick, Vladimir Jeriç, Koyo Kouoh, Miguel A. López, Hans Ulrich Obrist, Paul O'Neill, Tobias Ostrander, Joao Ribas, Sarah Rifky, Peter J. Russo, Sumesh Sharma, Simon Sheikh, Lucy Steeds, Jeannine Tang, David Teh, Jelena Vesiç Mick Wilson, Vivian Ziherl Copublished with the Center for Curatorial Studies Bard College/Luma Foundation
Posted in Art museum curators

Performing the Curatorial

Within and Beyond Art

Author: Maria Lind

Publisher: N.A

ISBN: N.A

Category: Art museum curators

Page: 160

View: 7021

Posted in Art museum curators

Culture of Curating and the Curating of Culture(s)

Author: Paul O'Neill

Publisher: Mit Press

ISBN: 9780262529747

Category: Art

Page: 192

View: 3541

Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O'Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O'Neill describes how, by the 1980s, curated group exhibitions -- large-scale, temporary projects with artworks cast as illustrative fragments -- came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O'Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated -- and authorized -- the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O'Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
Posted in Art

Cultures of the Curatorial

Author: Beatrice von Bismarck,Jörn Schafaff,Thomas Weski

Publisher: Goodman Publishers

ISBN: 9781934105979

Category: Art museums

Page: 375

View: 4616

Posted in Art museums

Curationism

How Curating Took Over the Art World and Everything Else

Author: David Balzer

Publisher: Coach House Books

ISBN: 1552452999

Category: Art

Page: 144

View: 7402

Now that we ‘curate’ even lunch, what happens to the role of the connoisseur in contemporary culture?
Posted in Art

The Curatorial Complex

Social Dimensions of Knowledge Production

Author: Wiebke Gronemeyer

Publisher: Verlag Wilhelm Fink

ISBN: 3846763128

Category: Art

Page: 264

View: 5335

By analyzing how artistic and curatorial practices can activate processes and generate structures that facilitate dialogical spaces of communication between curators, artists and their publics, The Curatorial Complex addresses the social dimensions of knowledge production for the ways people and art come together in the curated encounter.Questions around what knowledge is and how it can be produced are paired with critically addressing in the proliferation of knowledge production as part of the intellectualization of the art field and its commodification in the knowledge economy.
Posted in Art

The Curatorial Avant-garde

Surrealism and Exhibition Practice in France, 1925-1941

Author: Adam Jolles

Publisher: Pennsylvania State University Press

ISBN: N.A

Category: Art

Page: 270

View: 2739

"Explores the emergence of an amateur class of curators in France between the world wars. Focuses on the Surrealist writers and artists who developed an alternative curatorial practice to that pursued by the community of professionally trained curators and exclusive art dealers"--Provided by publisher.
Posted in Art

Ways of Curating

Author: Hans Ulrich Obrist

Publisher: Farrar, Straus and Giroux

ISBN: 0374712328

Category: Art

Page: 192

View: 3879

Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age. Ways of Curating is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries and continents, flitting from meetings with the artists who have inspired him (including Gerhard Richter, Louise Bourgeois, and Gilbert and George) to biographies of influential figures such as Diaghilev and Walter Hopps. It describes some of the greatest exhibitions in history, as well as some of the greatest exhibitions never realized. It traces the evolution of the collections from Athanasius Kircher's 17th-century Wunderkammer to modern museums, and points the way for projects yet to come. Hans Ulrich Obrist has rescued the word "curate" from wine stores and playlists to remind us of the power inherent in looking at art—and at the world—in a new way.
Posted in Art

Curators

Behind the Scenes of Natural History Museums

Author: Lance Grande

Publisher: University of Chicago Press

ISBN: 022638943X

Category: Science

Page: 432

View: 9814

Over the centuries, natural history museums have evolved from being little more than musty repositories of stuffed animals and pinned bugs, to being crucial generators of new scientific knowledge. They have also become vibrant educational centers, full of engaging exhibits that share those discoveries with students and an enthusiastic general public. At the heart of it all from the very start have been curators. Yet after three decades as a natural history curator, Lance Grande found that he still had to explain to people what he does. This book is the answer—and, oh, what an answer it is: lively, exciting, up-to-date, it offers a portrait of curators and their research like none we’ve seen, one that conveys the intellectual excitement and the educational and social value of curation. Grande uses the personal story of his own career—most of it spent at Chicago’s storied Field Museum—to structure his account as he explores the value of research and collections, the importance of public engagement, changing ecological and ethical considerations, and the impact of rapidly improving technology. Throughout, we are guided by Grande’s keen sense of mission, of a job where the why is always as important as the what. This beautifully written and richly illustrated book is a clear-eyed but loving account of natural history museums, their curators, and their ever-expanding roles in the twenty-first century.
Posted in Science

Curatorial Activism

Towards an Ethics of Curating

Author: Maura Reilly,Lucy Lippard

Publisher: N.A

ISBN: 9780500239704

Category:

Page: 240

View: 6827

A handbook of new curatorial strategies based on pioneering examples of curators working to offset racial and gender disparities in the art world
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Curating Immateriality

The Work of the Curator in the Age of Network Systems

Author: Joasia Krysa

Publisher: N.A

ISBN: N.A

Category: Art

Page: 282

View: 2923

This is the third book in the DATA Browser series of critical texts that explore issues at the intersection of culture and technology.The site of curatorial production has been expanded to include the space of the Internet and the focus of curatorial attention has been extended from the object to dynamic network systems. As a result, curatorial work has become more widely distributed between multiple agents, including technological networks and software. This upgraded "operating system" of art presents new possibilities for online curating -- even to the extreme of a self-organising system that curates itself. The curator is part of this entire system but not central to it.This book explores the role of the curator in the face of these changes.
Posted in Art

Issues in Curating Contemporary Art and Performance

Author: Judith Rugg,Michèle Sedgwick

Publisher: Intellect Books

ISBN: 184150162X

Category: Art

Page: 183

View: 4137

To stay relevant, art curators must keep up with the rapid pace of technological innovation as well as the aesthetic tastes of fickle critics and an ever-expanding circle of cultural arbiters. Issues in Curating Contemporary Art and Performance argues that, despite these daily pressures, good curating work also requires more theoretical attention. In four thematic sections, a distinguished group of contributors consider curation in light of interdisciplinary and emerging practices, examine conceptions of curation as intervention and contestation, and explore curation's potential to act as a reconsideration of conventional museum spaces. Against the backdrop of cutting-edge developments in electronic art, art/science collaboration, nongallery spaces, and virtual fields, contributors propose new approaches to curating and new ways of fostering critical inquiry. Now in paperback, this volume is an essential read for scholars, curators, and art enthusiasts alike.
Posted in Art

The Curator's Egg

The Evolution of the Museum Concept from the French Revolution to the Present Day

Author: Karsten Schubert

Publisher: N.A

ISBN: 9781905464203

Category: Art

Page: 187

View: 2556

'The Curator's Egg' traces the growth of the museum concept from the opening of the Louvre to the current popularity of buildings by 'starchitects'. Encompassing curatorial, scholarly, political and cultural spheres, author Karsten Schubert addresses the concept of the museum from a variety of influences.
Posted in Art

The New Curator

Author: Natasha Hoare,Coline Milliard,Rafal Niemojewski,Ben Borthwick,Jonathan Watkins

Publisher: Laurence King Publishing

ISBN: 9781780677477

Category: Art

Page: 240

View: 4532

This book presents a snapshot of the most interesting curatorial practices in the art world today. There is an emphasis on the "now": the introduction sketches in the development of curatorial practices since the 1980s but the shows under scrutiny in the following 25 case studies have all taken place in the last few years. The selected exhibitions – chosen by an expert panel of curators – run the global gamut, from Europe and the US through Africa and the Middle East to China, and illustrate the particular challenges for curators working in both the commercial and public sectors. Large-scale shows and pop-up exhibits, permanent-collection rehangs and art fairs all have a place here. Each highly illustrated case study is structured around an interview with the curator responsible for the show. The text both tells the story of the show's making and fills in background information about the curator's work, resulting in an accessible guide to contemporary curating.
Posted in Art

Fashion Curating

Critical Practice in the Museum and Beyond

Author: Annamari Vänskä,Hazel Clark

Publisher: Bloomsbury Publishing

ISBN: 1474287115

Category: Design

Page: 264

View: 7701

As the practice of fashion curation extends into commercial galleries, public and retail spaces, and even to the individual self, professional concepts of 'curating' are undergoing rapid change. Today, everyone is seemingly able to 'curate', but where does this leave the traditional understanding of curation as clothing collected and displayed in a museum? This thought-provoking volume explores the practice of fashion curating in the 21st century, bridging the gap between methods of display and notions of 'the curatorial' in fashion exhibitions, commercial settings, and the virtual world. From fashion's earliest forays into the museum to creative collaborations between luxury fashion brands and artists, this book challenges understandings of fashion curation by drawing on the palpably new spaces, places, and actors in today's curating scene. Exploring poetic and performative museum displays in venues such as the V&A, Somerset House, MoMu and the Royal Ontario Museum, alongside the ways that brands such as Dior, Chanel and Louis Vuitton have made use of 'the curatorial' in their own commercial strategies, Fashion Curating asks pressing questions about controversial funding and collaboration from the commercial fashion sector, and the limitations of producing exhibitions that are at the same time critical and popular. Bringing together approaches from fashion curators, designers and world-renowned academics, curation is positioned as a critical practice that opens up new ways of conceptualizing and theorizing fashion, challenging how we think and what we already know.
Posted in Design

Curating Live Arts

Global Perspectives on Theory and Practice

Author: Dena Davida,Marc Pronovost,Véronique Hudon,Jane Gabriels

Publisher: Berghahn Books

ISBN: 178533963X

Category: Art

Page: 382

View: 6057

Situated at the crossroads of performance practice, museology, and cultural studies, live arts curation has grown in recent years to become a vibrant interdisciplinary project and a genuine global phenomenon. Curating Live Arts brings together bold and innovative essays from an international group of theorist-practitioners to pose vital questions, propose future visions, and survey the landscape of this rapidly evolving discipline. Reflecting the field’s characteristic eclecticism, the writings assembled here offer practical and insightful investigations into the curation of theatre, dance, sound art, music, and other performance forms—not only in museums, but in community, site-specific, and time-based contexts, placing it at the forefront of contemporary dialogue and discourse.
Posted in Art

Curatorial Dreams

Critics Imagine Exhibitions

Author: Shelley Ruth Butler,Erica Lehrer

Publisher: McGill-Queen's Press - MQUP

ISBN: 0773598553

Category: Art

Page: N.A

View: 6895

What if museum critics were challenged to envision their own exhibitions? In Curatorial Dreams, fourteen authors from disciplines throughout the social sciences and humanities propose exhibitions inspired by their research and critical concerns to creatively put theory into practice. Pushing the boundaries of museology, this collection gives rare insight into the process of conceptualizing exhibitions. The contributors offer concrete, innovative projects, each designed for a specific setting in which to translate critical academic theory about society, culture, and history into accessible imagined exhibitions. Spanning Australia, Barbados, Canada, Chile, the Netherlands, Poland, South Africa, Switzerland, and the United States, the exhibitions are staged in museums, scientific institutions, art galleries, and everyday sites. Essays explore political and practical constraints, imaginative freedom, and experiment with critical, participatory, and socially relevant exhibition design. While the deconstructive critique of museums remains relevant, Curatorial Dreams charts new ground, proposing unique modes of engagement that enrich public scholarship and dialogue.
Posted in Art