The Chinese Cinema Book

Author: Song Hwee Lim,Julian Ward

Publisher: Bloomsbury Publishing

ISBN: 1844575802

Category: Performing Arts

Page: 232

View: 5025

The Chinese Cinema Book provides an essential guide to the cinemas of the People's Republic of China, Hong Kong, Taiwan and the Chinese diaspora, from early cinema to the present day. With contributions from leading international scholars, the book is structured around five thematic sections: Territories, Trajectories, Historiographies; Early Cinema to 1949; The Forgotten Period: 1949–80; The New Waves; and Stars, Auteurs and Genres. This important collection addresses issues of film production and exhibition and places Chinese cinema in its national and transnational contexts. Individual chapters examine major film movements such as the Shanghai cinema of the 1930s, Fifth Generation film-makers and the Hong Kong New Wave, as well as key issues such as stars and auteurs. The book will be an invaluable resource for students and scholars, as well as for anyone wanting to deepen their understanding of the cinemas of Greater China.
Posted in Performing Arts

Historical Dictionary of Chinese Cinema

Author: Tan Ye,Yun Zhu

Publisher: Rowman & Littlefield

ISBN: 0810867796

Category: History

Page: 299

View: 2425

Motion pictures were first introduced to China in 1896 and today China has become a major player in the film industry. However, the story of how Chinese cinema became what it is today is an exceptionally turbulent one. It encompasses incursions by foreign powers, warfare among contending rulers, the collapse of the Chinese empire, and the massive setback of the Cultural Revolution. The Historical Dictionary of Chinese Cinema covers the history of Chinese cinema from its very beginning in 1896 to the present. This is done through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section contains several hundred cross-referenced dictionary entries on films, directors, and historical figures. This book is an excellent access point for anyone interested in Chinese cinema and for scholars interested in investigating ideas for future research."
Posted in History

The Oxford Handbook of Chinese Cinemas

Author: Carlos Rojas,Eileen Chow

Publisher: Oxford University Press

ISBN: 019976560X

Category: History

Page: 709

View: 6607

What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like "Chinese cinema" difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations, while taking care to address the consequences of grouping together so many disparate histories under a single banner. Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Chapters in Part I investigate the historical periodizations of the field through changing notions of national and political identity — all the way from the industry's beginnings in the 1920s up to its current forms in contemporary Hong Kong, Taiwan, and the global diaspora. Chapters in Part II feature studies centered on the field's taxonomical formalities, including such topics as the role of the Chinese opera in technological innovation, the political logic of the "Maoist film," and the psychoanalytic formula of the kung fu action film. Finally, in Part III, focus is given to the structural elements that comprise a work's production, distribution, and reception to reveal the broader cinematic apparatuses within which these works are positioned. Taken together, the multipronged approach supports a wider platform beyond the geopolitical and linguistic limitations in existing scholarship. Expertly edited to illustrate a representative set of up to date topics and approaches, The Oxford Handbook of Chinese Cinemas provides a vital addition to a burgeoning field still in its formative stages.
Posted in History

The Poetics of Chinese Cinema

Author: Gary Bettinson,James Udden

Publisher: Springer

ISBN: 113755309X

Category: Social Science

Page: 227

View: 4995

This book examines the aesthetic qualities of particular Chinese-language films and the rich artistic traditions from which they spring. It brings together leading experts in the field, and encompasses detailed and wide-ranging case studies of films such as Hero, House of Flying Daggers, Spring in a Small Town, 24 City, and The Grandmaster, and filmmakers including Hou Hsiao-hsien, Jia Zhangke, Chen Kaige, Fei Mu, Zhang Yimou, Johnnie To, and Wong Kar-wai. By illuminating the form and style of Chinese films from across cinema history, The Poetics of Chinese Cinema testifies to the artistic value and uniqueness of Chinese-language filmmaking.
Posted in Social Science

Futures of Chinese Cinema

Technologies and Temporalities in Chinese Screen Cultures

Author: Olivia Khoo,Sean Metzger

Publisher: Intellect Books

ISBN: 184150274X

Category: Performing Arts

Page: 292

View: 7864

"With the burgeoning interest in Chinese film, this interdisciplinary collection investigates how new technologies, changing production constraints and shifting viewing practices have shaped perceptions of Chinese screen cultures. Futures of Chinese Cinema contains essays by international scholars considering new directions in Chinese cinema. After the devastation of the economic crisis, the uncertainty of the Hong Kong handover and the events at Tiananmen Square in 1989, the late twentieth century and beyond has seen the emergence of a number of fresh new works from the region's film-makers. For the first time, scholars from film studies, media studies, history and sociology have been brought together in their focus on the concepts of technology and temporality in these films."--P. [4] of cover.
Posted in Performing Arts

Building a New China in Cinema

The Chinese Left-wing Cinema Movement, 1932-1937

Author: Laikwan Pang

Publisher: Rowman & Littlefield

ISBN: 9780742509467

Category: Performing Arts

Page: 279

View: 9893

Building a New China in Cinema introduces English readers for the first time to one of the most exciting left-wing cinema traditions in the world. This unique book explores the history, ideology, and aesthetics of China's left-wing cinema movement, a quixotic film culture that was as political as commercial, as militant as sensationalist. Drawing on detailed archival research, Pang demonstrates that this cinema movement was a product of the era's social, economic, and political discourses. The author offers a close analysis of many rarely seen films, richly illustrated with over eighty stills collected from the Beijing Film Archive. With its original conceptual approach and rich use of primary sources, this book will be of interest not only to scholars and fans of Chinese cinema but to those who study the relationship between cinema and modernity. Visit our website for sample chapters!
Posted in Performing Arts

Chinese Cinemas

International Perspectives

Author: Felicia Chan,Andy Willis

Publisher: Routledge

ISBN: 1317431480

Category: Social Science

Page: 202

View: 5198

Chinese Cinemas: International Perspectives examines the impact the rapid expansion of Chinese filmmaking in mainland China has had on independent and popular Chinese cinemas both in and outside of China. While the large Chinese markets are coveted by Hollywood, the commercial film industry within the People’s Republic of China has undergone rapid expansion since the 1990s. Its own production, distribution and exhibition capacities have increased exponentially in the past 20 years, producing box-office success both domestically and abroad. This volume gathers the work of a range of established scholars and newer voices on Chinese cinemas to address questions that interrogate both Chinese films and the place and space of Chinese cinemas within the contemporary global film industries, including the impact on independent filmmaking both within and outside of China; the place of Chinese cinemas produced outside of China; and the significance of new internal and external distribution and exhibition patterns on recent conceptions of Chinese cinemas. This is an ideal book for students and researchers interested in Chinese and Asian Cinema, as well as for students studying topics such as World Cinema and Asian Studies.
Posted in Social Science

A Companion to Chinese Cinema

Author: Yingjin Zhang

Publisher: John Wiley & Sons

ISBN: 1444330292

Category: Performing Arts

Page: 684

View: 4155

A Companion to Chinese Cinema is a collection of original essays written by experts in a range of disciplines that provide a comprehensive overview of the evolution and current state of Chinese cinema. Represents the most comprehensive coverage of Chinese cinema to date Applies a multidisciplinary approach that maps the expanding field of Chinese cinema in bold and definitive ways Draws attention to previously neglected areas such as diasporic filmmaking, independent documentary, film styles and techniques, queer aesthetics, star studies, film and other arts or media Features several chapters that explore China?s new market economy, government policy, and industry practice, placing the intricate relationship between film and politics in a historical and international context Includes overviews of Chinese film studies in Chinese and English publications
Posted in Performing Arts

Encyclopedia of Chinese Film

Author: Zhiwei Xiao,Yingjin Zhang

Publisher: Taylor & Francis

ISBN: 0203195558

Category: Reference

Page: 504

View: 4398

The Encyclopedia of Chinese Film, one of the first ever encyclopedias in this area, provides alphabetically organized entries on directors, genres, themes, and actors and actresses from mainland China, Hong Kong and Taiwan as well as 300 film synopses. Great care has been taken to provide solid cultural and historical context to the facts. The alphabetical entries are preceded by a substantial historical section, incorporating material on the the main studios and analysing the impact of Chinese film abroad as well as at home in recent years. This Encyclopedia meets the needs, equally, of * the film studies scholar * the student of Chinese culture * the specialist in Chinese film * the curious viewer wanting to know more. Additional features include: * comprehensive cross-references and suggestions for further reading * a list of relevant websites * a chronology of films and a classified contents list * three indexes - (one of film and tv titles with directors names and year of release, one of names including actors, writers, directors and producers and one of studios, all with pinyin romanizations) * a glossary of pinyin romanizations, Chinese characters and English equivalents to aid the specialist in moving between Chinese titles and English translations.
Posted in Reference

Sinascape

Contemporary Chinese Cinema

Author: Gary G. Xu

Publisher: Rowman & Littlefield

ISBN: 9780742554504

Category: Performing Arts

Page: 175

View: 4437

Fast Facts at Your Fingertips! REA's Quick Access Study Charts contain all the information students, teachers, and professionals need in one handy reference. They provide quick, easy access to important facts. The charts contain commonly used mathematical formulas, historical facts, language conjugations, vocabulary and more! Great for exams, classroom reference, or a quick refresher on the subject. Most laminated charts consist of 2 fold-out panels (4 pages) that fit into any briefcase or backpack. Each chart has a 3-hole punch for easy placement in a binder. Each chart measures 8 1/2" x 11"
Posted in Performing Arts

Art, Politics, and Commerce in Chinese Cinema

Author: Ying Zhu,Stanley Rosen

Publisher: Hong Kong University Press

ISBN: 9622091768

Category: Social Science

Page: 308

View: 5767

"Ying Zhu and Stanley Rosen have brought together some of the leading scholars and critics of Chinese cinema to rethink the political mutations, market manifestations, and artistic innovations that have punctuated a century of Chinese screen memories. From animation to documentary, history of the industry to cinematic attempts to recreate history, propaganda to piracy, the influx of Hollywood imports to Chinese-style blockbusters, Art, Politics, and Commerce in Chinese Cinema presents a fresh set of critical approaches to the field that should be required reading for scholars, students, and anyone interested in the past, present, and future of one of the most vibrant and dynamic film industries in the world."-Michael Berry, author, Jia Zhangke's "Hometown Trilogy" and A History of Pain "An excellent collection of articles that together offer a superb introduction to contemporary Chinese film studies."-Richard Pena, Program Director, Film Society of Lincoln Center "This is one of the most important, comprehensive, and profoundly important books about Chinese cinema. As correctly pointed out by the editors of the volume, understanding of the emerging film industry in China requires a systematic examination of arts, politics, and commerce of Chinese cinema. By organizing the inquiry of the Chinese film industry around its local and global market, politics, and film art, the authors place the current transformation of Chinese cinema within a large framework. The book has set a new standard for research on Chinese cinema. It is a must-read for students of arts, culture, and politics in China."-Tianjian Shi, Duke University Art politics, and commerce are intertwined everywhere, but in China the interplay is explicit, intimate, and elemental, and nowhere more so than in the film industry. Understanding this interplay in the era of market reform and globalization is essential to understanding mainland Chinese cinema. This interdisciplinary book provides a comprehensive reappraisal of Chinese cinema, surveying the evolution of film production and consumption in mainland China as a product of shifting relations between art, politics, and commerce. Within these arenas, each of the twelve chapters treats a particular history, development, genre, filmmaker or generation of filmmakers, adding up to a distinctively comprehensive rendering of Chinese cinema. The book illuminates China's changing stat-society relations, the trajectory of marketization and globalization, the effects of China's start historical shifts, Hollywood's role, the role of nationalism, and related themes of interest to scholars of Asian studies, cinema and media studies, political science, sociology comparative literature and Chinese language. Ying Zhu is professor of cinema studies in the Department of Media Culture and co-coordinator of the Modern China Studies Program at the City University of New York, College of Staten Island. Stanley Rosen is director of the East Asian Studies Center and a professor of political science at the University of Southern California.
Posted in Social Science

Between Shanghai and Hong Kong

The Politics of Chinese Cinemas

Author: Poshek Fu

Publisher: Stanford University Press

ISBN: 9780804745185

Category: Performing Arts

Page: 202

View: 4463

A pioneering study of the Chinese cinemas in Shanghai and Hong Kong and the complex connections between them during the period of war, occupation, and civil war.
Posted in Performing Arts

Chinese National Cinema

Author: Yingjin Zhang

Publisher: Psychology Press

ISBN: 9780415172899

Category: Performing Arts

Page: 328

View: 9510

This introduction to Chinese national cinema covers three 'Chinas': mainland China, Hong Kong and Taiwan. Historical and comparative perspectives bring out the parallel developments in these three Chinas, while critical analysis explores thematic and stylistic changes over time. As well as exploring artistic achievements and ideological debates, Yingjin Zhang examines how - despite the pressures placed on the industry from state control and rigid censorship - Chinese national cinema remains incapable of projecting a single unified picture, but rather portrays many different Chinas.
Posted in Performing Arts

Directory of World Cinema

CHINA 2

Author: Gary Bettinson

Publisher: Intellect Books

ISBN: 1783204001

Category: Art

Page: 342

View: 1838

Since the publication of the first volume of Directory of World Cinema: China, the Chinese film industry has intensified its efforts to make inroads into the American market. The 2012 acquisition of US theatre chain AMC and visual effects house Digital Domain by Chinese firms testifies to the global ambitions of China’s powerhouse film industry. Yet Chinese cinema has had few crossover hits in recent years to match the success of such earlier films as Crouching Tiger, Hidden Dragon, House of Flying Daggers, and Kung Fu Hustle. Although overseas revenue for Chinese movies has dwindled, domestic market growth surges year after year. Indeed, annual production output remains healthy, and the daily expansion of screens in second or third-tier cities attracts audiences whose tastes favour domestic films over foreign imports. A survey of a vibrant – and expanding – industry, Directory of World Cinema: China 2 examines, among other themes, China’s desire for success and fulfilment in the United States as well as the extensive history of representing China – and the Chinese in America – on US movie screens. With contributions from some of the leading academics in the field, this volume will be essential reading for all fans of Chinese film.
Posted in Art

Perspectives on Chinese Cinema

Author: Chris Berry

Publisher: British Film Inst

ISBN: 9780851702728

Category: Performing Arts

Page: 234

View: 5569

Perspectives of Chinese Cinema is a revised and much expanded edition of a pioneering work, bringing together the best of contemporary critical writing on Chinese cinema from an international range of distinguished contributors. It offers a broad and revealing view of Chinese cinema past and present, with particular emphasis on films of the new wave, "Fifth Generation" directors such as Yellow Earth and Red Sorghum, and on the political and economic struggles they face. Perspectives of Chinese Cinema is a revised and much expanded edition of a pioneering work, bringing together the best of contemporary critical writing on Chinese cinema from an international range of distinguished contributors. It offers a broad and revealing view of Chinese cinema past and present, with particular emphasis on films of the new wave, "Fifth Generation" directors such as Yellow Earth and Red Sorghum, and on the political and economic struggles they face.
Posted in Performing Arts

Chinese Cinema

Culture and Politics Since 1949

Author: Paul Clark

Publisher: CUP Archive

ISBN: 9780521326384

Category: Business & Economics

Page: 243

View: 1598

Posted in Business & Economics

Projecting A Nation

Chinese National Cinema Before 1949

Author: Jubin Hu

Publisher: Hong Kong University Press

ISBN: 9789622096103

Category: Social Science

Page: 276

View: 9345

This is the first major work on pre-1949 Chinese cinema in English. As such, it represents a major contribution to existing discussions of both Chinese cinema and national cinema, and is an indispensible basic resource for scholars interested in Chinese film history. The book analyses the wide variety of conceptions of "Chinese national cinema" between the early years of the 20th century and 1949, and contrasts these to conceptions of national cinema in Europe and China. After years of exhausting primary historical research, the author has been able to bring to light sources hitherto not widely available. The author argues that questions and debates about the status and meaning of the "national" in "Chinese national cinema" are central to any consideration of cinema during this period, and addresses the issue of Chinese nationalism as part of a complex history of cinema within the early modern Chinese nation.
Posted in Social Science

Die chinesische Literatur

Eine Einführung

Author: Sabina Knight

Publisher: N.A

ISBN: 9783150110683

Category:

Page: 200

View: 2294

Posted in

One Hundred Years of Chinese Cinema

A Generational Dialogue

Author: Haili Kong,John A. Lent

Publisher: Signature Books

ISBN: 9781891936944

Category: Motion pictures

Page: 272

View: 3142

Illustrations, map, index.Arguably the first book to take a generational approach to the Chinese cinema, this study offers a broad picture of the evolution of Chinese cinema in its historical context, as well as thorough and insightful analyses of representative films from different generations. Personal interviews with major Chinese filmmakers.
Posted in Motion pictures

The Cinema of Feng Xiaogang

Commercialization and Censorship in Chinese Cinema after 1989

Author: Rui Zhang

Publisher: Hong Kong University Press

ISBN: 9622098851

Category: Social Science

Page: 204

View: 1702

Beginning first as a case study of Feng Xiaogang, this book explores Chinese film history since the early 1990s in terms of changes of the Communist Party's film policy, industry reforms, the official promotion of Main Melody films and the emergence and growth of popular cinema. The image of Feng that will emerge in this book is of a filmmaker working under political and economic pressures in a post-socialist state while still striving to create works with a personal socio-political agenda. In keeping with this reality, this book approaches Feng as a special kind of film auteur whose works must be interpreted with attention to the specific social and political context of contemporary China. The book will be a useful reference tool for students and scholars in the fields of Chinese studies, Chinese film history and film studies. It could also be used as textbook for classes about Asian cinema, international cinema and Chinese culture/film studies. The extensive use of data about the Chinese film market, and elaborate analysis of the situation of Chinese film industry make this book a valuable volume for classroom and personal use.
Posted in Social Science