Salted Paper Printing

A Step-by-Step Manual Highlighting Contemporary Artists

Author: Christina Z. Anderson

Publisher: Taylor & Francis

ISBN: 135198778X

Category: Photography

Page: 306

View: 6842

Salted Paper Printing: A Step-by-Step Manual Highlighting Contemporary Artists makes one of the oldest known photographic processes easy for the 21st century using simple digital negative methods. Christina Z. Anderson’s in-depth discussion begins with a history of salted paper printing, then covers the salted paper process from beginner to intermediate level, with step-by-step instructions and an illustrated troubleshooting guide. Including cameraless imagery, hand-coloring, salt in combination with gum, and printing on fabric, Salted Paper Printing contextualizes the practice within the varied alternative processes. Anderson offers richly-illustrated profiles of contemporary artists making salted paper prints, discussing their creative process and methods. Salted Paper Printing is perfect for the seasoned photographer looking to dip their toe into alternative processes, or for the photography student eager to engage with photography’s rich history.
Posted in Photography

Gum Printing

A Step-by-Step Manual, Highlighting Artists and Their Creative Practice

Author: Christina Z Anderson

Publisher: Routledge

ISBN: 1317326423

Category: Photography

Page: 306

View: 488

Gum Printing: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a two-part book on gum bichromate written by the medium’s leading expert, Christina Z. Anderson. Section One provides a step-by-step description of the gum printing process. From setting up the "dimroom" (no darkroom required!) to evaluating finished prints, it walks the reader through everything that is needed to establish a firm gum practice with the simplest of setups at home. Section Two showcases contemporary artists’ works, illustrating the myriad ways gum is conceptualized and practiced today. The works in these pages range from monochrome to colorful and from subtle to bold, representing a variety of genres, including still lifes, portraits, nudes, landscapes, urbanscapes and more. Featuring over 80 artists and 400 full-color images, Gum Printing is the most complete overview of this dynamic and expressive medium that has yet appeared in print. Key topics covered include: The history of gum Simple digital negatives for gum, platinum, and cyanotype Preparing supplies Making monochrome, duotone, tricolor, and quadcolor gum prints Printing gum over cyanotype Printing gum over platinum Troubleshooting gum Advice on developing a creative practice
Posted in Photography

The Book of Alternative Photographic Processes

Author: Christopher James

Publisher: Cengage Learning

ISBN: 1305461592

Category: Computers

Page: 736

View: 2934

Written by internationally acclaimed artist and photographer Christopher James, THE BOOK OF ALTERNATIVE PHOTOGRAPHIC PROCESSES: 3rd Edition is the definitive text for students and professionals studying alternative photographic processes and the art of hand-made photographic image making. This innovative Third Edition brings the medium up to date with new and historic processes that are integrated with the latest contemporary innovations, adaptations, techniques, and art work. This 800 page edition is packed with more than 700 exquisite illustrations featuring historical examples as well as the art that is currently being made by professional alternative process, artists, teachers, and students of the genre. The third edition is the complete and comprehensive technical and aesthetic resource exploring and delving into every aspect of alternative photographic process photography. Each chapter introduces the history of a technique, presents an overview of the alternative photographic process that will be featured, reviews its chemistry, and provides practical and easy to follow guidance in how to make it work. In his conversational writing style, James also explores the idiosyncrasies, history, and cultural connections that are such a significant part of the history of photography. Featuring traditional and digital contact negative production as well as an array of processes, spread out over 28 chapters, THE BOOK OF ALTERNATIVE PHOTOGRAPHIC PROCESSES: 3RD EDITION delivers clear instructions, practical workflows and advice, humor, history, art, and immeasurable inspiration. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Posted in Computers

Gumoil Photographic Printing, Revised Edition

Author: Karl Koenig

Publisher: Taylor & Francis

ISBN: 1136090290

Category: Photography

Page: 176

View: 1644

There is renewed interest among art photographers in a number of historic printing techniques because of the remarkable effects they produce. The reader will discover how to create beautifully tinted mono- and polychromatic gum and oil images using the author's version of this 19th century technique. Step-by-step illustrated instructions with directions for further experimentation provide a perfect source for learning this new, yet old, printing technique. Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.
Posted in Photography

The Albumen & Salted Paper Book

The History and Practice of Photographic Printing 1840/1895

Author: James M. Reilly

Publisher: Rit Cary Press

ISBN: 9781933360782

Category: Albumen paper

Page: 189

View: 4377

The book is a descriptive history of the major photographic printing processes that were used between the years 1840-1895, the first fifty years of photography.
Posted in Albumen paper

Digital Negatives

Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing

Author: Ron Reeder,Brad Hinkel

Publisher: Taylor & Francis

ISBN: 0240808541

Category: Computers

Page: 214

View: 1164

Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing bridges the world of traditional photographic printing with digital technology. A digital negative, prepared in Photoshop, allows you to skip the dark room time developing the negatives--getting straight to a variety of printing processes including silver, platinum, and a host of other alternative processes. You will see this as an opportunity to mix technology with traditional photo processes resulting in more time for your art! In the recent past, photographers that wanted digital negatives had to take their business to labs. Now all of you Photoshop users can incorporate this practice into your workflow of choice. *Easy, quick start recommendations for specific supplies and instructions for making your first print quickly without all the details of calibrating digital negatives. •Offers expert instruction for the more advanced; much of the book will be focused on how to calibrate digital negatives, configure a digital darkroom, and fine tune prints from digital negatives •Adventurous, experimental techniques take printing using alternative processes into new options including toning, multiple printing, printing with ink and platinum, plus others.
Posted in Computers

The Salt Print Manual

Author: Ellie Young

Publisher: Lulu.com

ISBN: 144528328X

Category: Art

Page: 104

View: 6288

The salt print is the foundation of photography. William Henry Fox Talbot, known as the of photography, discovered the salt print process in 1834. The history of Talbot is quite remarkable. His early discoveries were the foundation of numerous photographic and print processes, many still practiced today. Due to the inherent masking ability the salt print can create a greater tonal range than other photographic print processes. The challenge is to create negatives that reach this extraordinary range. The salt print offers flexibility in controlling the colour, tones and hues.
Posted in Art

Primitive Photography

A Guide to Making Cameras, Lenses, and Calotypes

Author: Alan Greene

Publisher: CRC Press

ISBN: 1136092706

Category: Photography

Page: 240

View: 7445

Primitive Photography considers the hand-made photographic process in its entirety, showing the reader how to make box-cameras, lenses, paper negatives and salt prints, using inexpensive tools and materials found in most hardware and art-supply stores. Step-by-step procedures are presented alongside theoretical explanations and historical background. Streamlined calotype procedures are demonstrated, featuring different paper negative processes and overlooked, developing-out printing methods. Primitive Photography combines the simplicity of pinhole photography, the handmade quality of alternative processes, and the precision of large-format. For those seeking alternatives to commercially prepared material as well as digital photography, it provides the instructions for creating the entire photographic process from the ground up. Given its scope and treatment of the photographic process as a whole, this may be the first book of its kind to appear in over a century.
Posted in Photography

Alternate Processes in Photography

Technique, History, and Creative Potential

Author: Brian Arnold

Publisher: Oxford University Press, USA

ISBN: 9780199390397

Category:

Page: 224

View: 2052

Alternate Process in Photography: Technique, History, and Creative Potential offers a unique, practitioner's perspective on the history and practice of photographic processes. The book emphasizes handmade, largely historical photographic techniques, and provides detailed information for both beginning and advanced photographers.
Posted in

New Dimensions in Photo Processes

A Step-by-Step Manual for Alternative Techniques

Author: Laura Blacklow

Publisher: Taylor & Francis

ISBN: 1351802372

Category: Photography

Page: 360

View: 4996

New Dimensions in Photo Processes invites artists in all visual media to discover contemporary approaches to historical techniques. Painters, printmakers, and photographers alike will find value in this practical book, as these processes require little to no knowledge of photography, digital means, or chemistry. Easy to use in a studio or lab, this edition highlights innovative work by internationally respected artists, such as Robert Rauschenberg, Chuck Close, Mike and Doug Starn, and Emmet Gowin. In addition to including new sun-printing techniques, such as salted paper and lumen printing, this book has been updated throughout, from pinhole camera and digital methods of making color separations and contact negatives to making water color pigments photo-sensitive and more. With step-by-step instructions and clear safety precautions, New Dimensions in Photo Processes will teach you how to: Reproduce original photographic art, collages, and drawings on paper, fabric, metal, and other unusual surfaces. Safely mix chemicals and apply antique light-sensitive emulsions by hand. Create imagery in and out of the traditional darkroom and digital studio. Relocate photo imagery and make prints from real objects, photocopies, and pictures from magazines and newspapers, as well as from your digitial files and black and white negatives. Alter black and white photographs, smart phone images, and digital prints. ?
Posted in Photography

The Experimental Photography Workbook

A Manual of Analog Black and White Darkroom Practice

Author: Christina Z. Anderson

Publisher: N.A

ISBN: 9780984681600

Category: Photography

Page: 241

View: 1423

The Experimental Photography Workbook, now in its 6th edition, is completely revised, updated, and professionally published, with full-color images from 100 photographers illustrating all processes. Inside you will find succinct how-to's on the photogram, cliche-verre, lumenprint, chemigram, photo-chemigram (chromo/painting with light), collage, photomontage, photo transfer, pinhole, zoneplate, Holga, paper negative, Sabattier, lith printing, liquid emulsion, modern tintype, mordancage, dye mordanting, bleachout, toning, applied color, abrasion tone, bromoil, encaustic, distressing film, and more. The Workbook is the perfect "short & sweet" manual to put play back into the analog black & white darkroom, and will be a great impetus to increased creativity for students and professionals alike.
Posted in Photography

Susan Burnstine

Within Shadows

Author: Susan Burnstine,George Slade,Russell Joslin,Susan Spiritus

Publisher: N.A

ISBN: 9788881588114

Category: Photography

Page: 99

View: 1406

Susan Burnstine's 'Within Shadows' is a photographic exploration of the fleeting moments between dreaming and waking - the blurred seconds in which imagination and reality collide.
Posted in Photography

Platinum and Palladium Printing

Author: Dick Arentz

Publisher: CRC Press

ISBN: 1136094547

Category: Photography

Page: 256

View: 6237

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Posted in Photography

Water Paper Paint

Exploring Creativity with Watercolor and Mixed Media

Author: Heather Smith Jones

Publisher: Quarry Books

ISBN: 1610594835

Category: Art

Page: 156

View: 5788

This book is not only for "painters" but for all types of creative individuals who want to experience and play with watercolor, whether their background is mixed-media, textile art, journaling, or paper craft. Unlike the typical watercolor text books, this unique, beautiful volume is a field book of inspiration, creative ideas, how to's, and projects, all from an artist's perspective. Each creative exercise features a technique, shows step-by-step photographs, and includes a clever idea for a gift or project that can be made from the painted samples.
Posted in Art

Anywhere or Not at All: Philosophy of Contemporary Art

Author: Peter Osborne

Publisher: Verso

ISBN: 1781680949

Category: Art

Page: 288

View: 8676

A new reading of the philosophy of contemporary art by the author of The Politics of Time Contemporary art is the object of inflated and widely divergent claims. What kind of discourse can help us give it a critical sense? Anywhere or Not At All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Setting out the claim that ‘contemporary art is postconceptual art’, the book elaborates a series of conceptual constructions and interpretations of works by Navjot Altaf, the Atlas Group, Amar Kanwar, Sol LeWitt, Gordon Matta-Clark, Gerhard Richter and Robert Smithson, among others. It concludes with new accounts of the institutional and existential complexities of ‘art space’ and ‘art time’. Anywhere or Not At All maps out the conceptual coordinates for an art that is both critical and contemporary in the era of global capitalism.
Posted in Art

How to Read a Book

The Classic Guide to Intelligent Reading

Author: Mortimer J. Adler,Charles Van Doren

Publisher: Simon and Schuster

ISBN: 1476790159

Category: Language Arts & Disciplines

Page: 448

View: 3600

Analyzes the art of reading and suggests ways to approach literary works, offering techniques for reading in specific literary genres ranging from fiction, poetry, and plays to scientific and philosophical works.
Posted in Language Arts & Disciplines

Making Digital Negatives for Contact Printing

Step by Step Guide to Affordable Enlarged Negatives for Platinum, Silver, and Other Printing Processes

Author: Dan Burkholder

Publisher: N.A

ISBN: N.A

Category: Black-and-white photography

Page: 352

View: 701

Completely revised and updated in this 1999 second edition, Dan Burkholder's award-winning book is a step-by-step guide to making affordable enlarged negatives for contact printing on silver, platinum, palladium and other contact printing processes. Exciting new techniques for making negatives with desktop printers are now included, as well as tips for using the latest imaging software. Photo Eye, the world's largest distributor of photography books, called it a "revolutionary book on this innovative and affordable technique." Jerry Uelsmann said of the book, "Making Digital Negatives is indispensable. It is clear, concise and insightful." In addition to the easy to follow text, illustrations and photographs, Burkholder's book includes a CD-ROM with calibration utilities, test images and demo software (both Mac and PC) and a separate color calibration print. Photographers wishing to combine the power and precision of digital imaging with the beauty & permanence of traditional photographic printing will find this book invaluable. Contact Bladed Iris Press, PO Box 111877, Carrollton, TX 75011-1877; phone 972-242-9819, fax: 972-242-9651; e/mail: [email protected]: www.danburkholder.com.
Posted in Black-and-white photography

Constructing Architecture

Materials, Processes, Structures

Author: Andrea Deplazes

Publisher: Springer Science & Business Media

ISBN: 3764371900

Category: Architecture

Page: 508

View: 7951

Now in its second edition: the trailblazing introduction and textbook on construction includes a new section on translucent materials and an article on the use of glass.
Posted in Architecture

From Snapshots to Social Media - The Changing Picture of Domestic Photography

Author: Risto Sarvas,David M. Frohlich

Publisher: Springer Science & Business Media

ISBN: 9780857292476

Category: Computers

Page: 201

View: 1330

From Snapshots to Social Media describes the history and future of domestic photography as mediated by technological change. Domestic photography refers to the culture of ordinary people capturing, sharing and using photographs, and is in a particular state of flux today as photos go digital. The book argues that this digital era is the third major chapter in the 170 year history of the area; following the portrait and Kodak eras of the past. History shows that despite huge changes in photographic technology and the way it has been sold, people continue to use photographs to improve memory, support communication and reinforce identity. The future will involve a shift in the balance of these core activities and a replacement of the family album with various multimedia archives for individuals, families and communities. This raises a number of issues that should be taken into account when designing new technologies and business services in this area, including: the ownership and privacy of content, multimedia standards, home ICT infrastructure, and younger and older users of images. The book is a must for designers and engineers of imaging technology and social media who want a better understanding of the history of domestic photography in order to shape its future. It will also be of value to students and researchers in science and technology studies and visual culture, as a fascinating case study of the evolving use of photographs and photographic technology in Western society.
Posted in Computers