Renaissance Drama on the Edge

Author: Lisa Hopkins

Publisher: Routledge

ISBN: 1317066588

Category: Literary Criticism

Page: 200

View: 8811

Recurring to the governing idea of her 2005 study Shakespeare on the Edge, Lisa Hopkins expands the parameters of her investigation beyond England to include the Continent, and beyond Shakespeare to include a number of dramatists ranging from Christopher Marlowe to John Ford. Hopkins also expands her notion of liminality to explore not only geographical borders, but also the intersection of the material and the spiritual more generally, tracing the contours of the edge which each inhabits. Making a journey of its own by starting from the most literally liminal of physical structures, walls, and ending with the wholly invisible and intangible, the idea of the divine, this book plots the many and various ways in which, for the Renaissance imagination, metaphysical overtones accrued to the physically liminal.
Posted in Literary Criticism

Shakespeare on the Edge

Border-crossing in the Tragedies and the Henriad

Author: Professor Lisa Hopkins

Publisher: Ashgate Publishing, Ltd.

ISBN: 1409489566

Category: Literary Criticism

Page: 162

View: 7648

When Shakespeare's John of Gaunt refers to England as 'this sceptred isle', he glosses over a fact of which Shakespeare's original audience would have been acutely conscious, which was that England was not an island at all, but had land borders with Scotland and Wales. Together with the narrow channels separating the British mainland from Ireland and the Continent, these were the focus of acute, if intermittent, unease during the early modern period. This book analyses works by not only Shakespeare but also his contemporaries to argue that many of the plays of Shakespeare's central period, from the second tetralogy to Hamlet, King Lear, Macbeth, and Othello, engage with the idea of England's borders. But borders, it claims, are not only of geopolitical significance: in Shakespeare's imagination and indeed in that of his culture, eschatological overtones also accrue to the idea of the border. This is because the countries of the Celtic fringe were often discussed in terms of the supernatural and fairy lore and, in particular, the rivers which were often used as boundary markers were invested with heavily mythologized personae. Thus Hopkins shows that the idea of the border becomes a potent metaphor for exploring the spiritual uncertainties of the period, and for speculating on what happens in 'the undiscovered country, from whose bourn no traveller returns'. At the same time, the idea that a thing can only really be defined in terms of what lies beyond it provides a sharply interrogating charge for Shakespeare's use of metatheatre and for his suggestions of a world beyond the confines of his plays.
Posted in Literary Criticism

The Tower of London in English Renaissance Drama

Icon of Opposition

Author: Kristen Deiter

Publisher: Routledge

ISBN: 1135894051

Category: Literary Criticism

Page: 14

View: 3183

The Tower of London in English Renaissance Drama historicizes the Tower of London's evolving meanings in English culture alongside its representations in twenty-four English history plays, 1579-c.1634, by William Shakespeare, Christopher Marlowe and others. While Elizabeth I, James I, and Charles I fashioned the Tower as a showplace of royal authority, magnificence, and entertainment, many playwrights of the time revealed the Tower's instability as a royal symbol and represented it, instead, as an emblem of opposition to the crown and as a bodily and spiritual icon of non-royal English identity.
Posted in Literary Criticism

Women on the Edge

Four Plays

Author: Euripides,Mary W. Blundell,Ruby Blondell

Publisher: Psychology Press

ISBN: 9780415907743

Category: Literary Criticism

Page: 495

View: 2670

Women on the Edge, a collection of Alcestis, Medea, Helen, and Iphegenia at Aulis, provides a broad sample of Euripides' plays focusing on women, and spans the chronology of his surviving works, from the earliest, to his last, incomplete, and posthumously produced masterpiece. Each play shows women in various roles--slave, unmarried girl, devoted wife, alienated wife, mother, daughter--providing a range of evidence about the kinds of meaning and effects the category woman conveyed in ancient Athens. The female protagonists in these plays test the boundaries--literal and conceptual--of their lives. Although women are often represented in tragedy as powerful and free in their thoughts, speech and actions, real Athenian women were apparently expected to live unseen and silent, under control of fathers and husbands, with little political or economic power. Women in tragedy often disrupt "normal" life by their words and actions: they speak out boldly, tell lies, cause public unrest, violate custom, defy orders, even kill. Female characters in tragedy take actions, and raise issues central to the plays in which they appear, sometimes in strong opposition to male characters. The four plays in this collection offer examples of women who support the status quo and women who oppose and disrupt it; sometimes these are the same characters.
Posted in Literary Criticism

Medieval and Renaissance Drama in England

Author: S. P. Cerasano

Publisher: Associated University Presse

ISBN: 9780838641804

Category: Literary Criticism

Page: 306

View: 6135

Reflecting a variety of scholarly interests, this volume includes articles that range addressing Africans in Elizabeth London to chapel stagings, to the theory and practice of domestic tragedy. It also includes essays on the historical and theoretical issues relating to the evolution of dramatic texts and women at the theater.
Posted in Literary Criticism

The Bed-trick in English Renaissance Drama

Explorations in Gender, Sexuality, and Power

Author: Marliss C. Desens

Publisher: University of Delaware Press

ISBN: 9780874134766

Category: Literary Criticism

Page: 175

View: 1302

"The Bed-Trick in English Renaissance Drama provides the first detailed examination of this convention. While most critical discussions focus exclusively on Shakespeare's use of the bed-trick in Measure for Measure and All's Well That Ends Well, this study, written from a feminist perspective and based on an analysis of more than two hundred and fifty plays, places the bed-trick in its historical and theatrical context in order to challenge widely held critical assumptions about its theatrical history on the English Renaissance stage. It has been considered a comic convention, a mere device to complicate and resolve a plot, or the convention by which unwary men are entrapped into marriage by scheming females. None of these assumptions has been tested against the evidence of the surviving plays from the period - an oversight that the present study seeks to remedy." "After exploring the convention's use in nondramatic Renaissance literature and its emergence on the stage in the 1590s, Marliss Desens examines the sociological and psychological implications of the bed-trick in regard to matters of marriage, male fantasies, and overt violence, thereby decentering the patriarchal perspective from which the convention has traditionally been viewed. Critical discussions of this convention, the author argues, have been so dominated by androcentric values that critics, both male and female, have often - consciously or unconsciously - overlooked the violence inherent in the bed-trick. No critical discussions have ever identified rape as lying at the heart of the bed-trick even though the basic action of the bed-trick clearly shows that at least one partner is always physically and emotionally violated. While that partner may have chosen sexual involvement, he or she has not chosen it with the person unwittingly embraced in the dark. The bed-trick, by depicting betrayal on the most intimate level, forces us to examine some of our own views on gender, sexuality, and the amount of power any person, whether male or female, may acceptably exercise over another."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Posted in Literary Criticism

Performing the Renaissance Body

Essays on Drama, Law, and Representation

Author: Sidia Fiorato,John Drakakis

Publisher: Walter de Gruyter GmbH & Co KG

ISBN: 3110464810

Category: Law

Page: 308

View: 4421

The volume analyses the concept of the “body” in the Renaissance period and its articulations and interpretations both in the legal field and the theatre. The body emerges as a site of regulation, shaped by social and political ideologies and specific networks of power, as well as a site of resistance to the codification of individual identity and the medium for its re-assertion in strict connection to the concept of the juridical persona.
Posted in Law

Renaissance Drama in Action

An Introduction to Aspects of Theatre Practice and Performance

Author: Martin White

Publisher: Psychology Press

ISBN: 9780415067386

Category: Performing Arts

Page: 265

View: 6013

Includes interviews with contemporary theatre practitioners, this book is a fascinating exploration of Renaissance theatre practice and staging, examining the history of the plays on the English stage from the seventeenth century to the present day.
Posted in Performing Arts

Dramas of Hybridity

Performance and the Body

Author: Jeffrey Masten,Wendy Wall

Publisher: Northwestern University Press

ISBN: 9780810118119

Category: Drama

Page: 166

View: 1921

This text is an annual publication devoted to understanding drama as a central feature of Renaissance culture. The essays explore the relationship of the dramatic traditions to their precursors and successors, and examine the impact of new forms of interpretation on the study of Renaissance plays.
Posted in Drama

Renaissance Drama 33

Author: Jeffrey Masten,Wendy Wall

Publisher: Northwestern University Press

ISBN: 0810121999

Category: Literary Criticism

Page: 246

View: 5487

Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance.
Posted in Literary Criticism

Shakespeare at the Cineplex

The Kenneth Branagh Era

Author: Samuel Crowl

Publisher: Ohio University Press

ISBN: 0821414941

Category: Literary Criticism

Page: 254

View: 954

Rated ‘Outstanding’ in the 2004 edition of University Press Books Selected for Public and Secondary School Libraries Samuel Crowl's Shakespeare at the Cineplex: The Kenneth Branagh Era is the first thorough exploration of the fifteen major Shakespeare films released since the surprising success of Kenneth Branagh's Henry V (1989). Crowl presents the rich variety of these films in the “long decade: between the fall of the Berlin Wall and the terrorist attacks on September 11, 2001.” The productions range from Hollywood-saturated films such as Franco Zeffirelli's Hamlet and Michael Hoffman's A Midsummer Night's Dream to more modest, experimental offerings, such as Christine Edzard's As You Like It. Now available in paperback, Shakespeare at the Cineplex will be welcome reading for fans, students, and scholars of Shakespeare in performance.
Posted in Literary Criticism

The Renaissance Drama of Knowledge

Giordano Bruno in England

Author: Hilary Gatti

Publisher: Routledge

ISBN: 1136182993

Category: History

Page: 248

View: 5298

Giordano Bruno’s visit to Elizabethan England in the 1580s left its imprint on many fields of contemporary culture, ranging from the newly-developing science, the philosophy of knowledge and language, to the extraordinary flowering of Elizabethan poetry and drama. This book explores Bruno's influence on English figures as different as the ninth Earl of Northumberland, Thomas Harriot, Christopher Marlowe and William Shakespeare. Originally published in 1989, it is of interest to students and teachers of history of ideas, cultural history, European drama and renaissance England. Bruno's work had particular power and emphasis in the modern world due to his response to the cultural crisis which had developed - his impulse towards a new ‘faculty of knowing’ had a disruptive effect on existing orthodoxies – religious, scientific, philosophical, and political.
Posted in History

Religion and Drama in Early Modern England

The Performance of Religion on the Renaissance Stage

Author: Dr Elizabeth Williamson,Dr Jane Hwang Degenhardt

Publisher: Ashgate Publishing, Ltd.

ISBN: 1409478637

Category: Performing Arts

Page: 296

View: 9162

Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.
Posted in Performing Arts

John Webster, Renaissance Dramatist

Author: David Coleman

Publisher: Edinburgh University Press

ISBN: 0748687009

Category: Literary Criticism

Page: 176

View: 9121

This introduction locates Webster's plays within the context of the culture from which they sprang. Examining the uncertain political, religious, and economic climate of Jacobean London, the book offers a guide to one of the most distinctive, yet most elu
Posted in Literary Criticism

Shakespeare's Political and Economic Language

Author: Vivian Thomas

Publisher: Bloomsbury Publishing

ISBN: 1474216080

Category: Literary Criticism

Page: 416

View: 8378

Shakespeare's plays are pervaded by political and economic words and concepts, not only in the histories and tragedies but also in the comedies and romances. The lexicon of political and economic language in Shakespeare does not consist merely of arcane terms whose shifting meanings require exposition, but includes an enormous number of relatively simple words which possess a structural significance in the configuration of meanings. Often operating by such means as puns, they open up a surprising number of possibilities. The dictionary reveals the conceptual nucleus of each term and explores the contexts in which it is embedded. The overlap between the political and economic dimensions of a word in Shakespeare's drama is particularly exciting as he is highly attuned to the interactions of these two spheres of human activity and their centrality in human affairs.
Posted in Literary Criticism

Romance on the Early Modern Stage

English Expansion Before and After Shakespeare

Author: Cyrus Mulready

Publisher: Springer

ISBN: 1137322713

Category: Literary Criticism

Page: 251

View: 3119

What is dramatic romance? Scholars have long turned to Shakespeare's biography to answer this question, marking his 'late plays' as the beginning and end of the dramatic romance. This book identifies an earlier history for this genre, revealing how stage romances imaginatively expanded audience interest in England's emerging global economy.
Posted in Literary Criticism

The Routledge Anthology of Renaissance Drama

Author: Simon Barker,Hilary Hinds

Publisher: Psychology Press

ISBN: 9780415187336

Category: Drama

Page: 457

View: 2987

This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and thoroughly annotated texts of the following plays: * The Spanish Tragedy (Thomas Kyd) * Arden of Faversham (Anon.) * Edward II (Christopher Marlowe) * A Woman Killed with Kindness (Thomas Heywood) * The Tragedy of Mariam (Elizabeth Cary) * The Masque of Blackness (Ben Jonson) * The Knight of the Burning Pestle (Francis Beaumont) * Epicoene, or the Silent Woman (Ben Jonson) * The Roaring Girl (Thomas Middleton & Thomas Dekker) * The Changeling (Thomas Middleton & William Rowley) * 'Tis Pity She's a Whore (John Ford). Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically. An accompanying website contains a wide selection of contextual documents which supplement the anthology: www.routledge.com/textbooks/0415187346
Posted in Drama