Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. For more than a century, both state and non-state actors have sought to employ sound and harmony to influence allies and enemies, resolve conflicts, and export their own culture around the world. This book asks how we can understand music as an instrument of power and influence, and how the cultural encounters fostered by music changes our ideas about international history.
Author: Jessica C. E. Gienow-Hecht
Publisher: Berghahn Books
The study of emotions has attracted anew the interest of scholars in various disciplines, igniting a lively public debate on the constructive and destructive power of emotions in society as well as within each of us. Most of the contributors to this volume do not hail from the United States but look at the nation from abroad. They explore the role of emotions in history and ask how that exploration changes what we know about national and international history, and in turn how that affects the methodological study of history. In particular they focus on emotions in American history between the 18th century and the present: in war, in social and political discourse, as well as in art and the media. In addition to case studies, the volume includes a review of their fields by senior scholars, who offer new insights regarding future research projects.
An International Assessment
Author: Jessica C. E. Gienow-Hecht
Publisher: Berghahn Books
Essays in Honor of Leonard B. Meyer
Author: Eugene Narmour
Publisher: Pendragon Press
A study of English musicians' part in the growth of Britain's overseas interests, from the accession of Elizabeth I to the end of the 17th century. Sections focus on the musical community of the long-distance sailing ship, the work of musicians in overseas enterprise in the New World and in the East
Author: Ian Woodfield
Publisher: Pendragon Press
Exploring the ways in which the GDR has been remembered since its demise in 1989/90, this volume asks how memory of the former state continues to shape contemporary Germany. Its contributors offer multiple perspectives on the GDR and offer new insights into the complex relationship between past and present.
Multiple Perspectives and Plural Authenticities
Author: A. Saunders,D. Pinfold
Category: Social Science
In this book, the distinguished historian Carl Schorske--author of the Pulitzer Prize-winning Fin-de-Siécle Vienna--draws together a series of essays that reveal the changing place of history in nineteenth-and twentieth-century cultures. In most intellectual and artistic fields, Schorske argues, twentieth-century Europeans and Americans have come to do their thinking without history. Modern art, modern architecture, modern music, modern science--all have defined themselves not as emerging from or even reacting against the past, but as detached from it in a new, autonomous cultural space. This is in stark contrast to the historicism of the nineteenth century, he argues, when ideas about the past pervaded most fields of thought from philosophy and politics to art, music, and literature. However, Schorske also shows that the nineteenth century's attachment to thinking with history and the modernist way of thinking without history are more than just antitheses. They are different ways of trying to address the problems of modernity, to give shape and meaning to European civilization in the era of industrial capitalism and mass politics. Schorske begins by reflecting on his own vocation as it was shaped by the historical changes he has seen sweep across political and academic culture. Then he offers a European sampler of ways in which nineteenth-century European intellectuals used conceptions of the past to address the problems of their day: the city as community and artifact; the function of art; social dislocation. Narrowing his focus to Fin-de-Siécle Vienna in a second group of essays, he analyzes the emergence of ahistorical modernism in that city. Against the background of Austria's persistent, conflicting Baroque and Enlightenment traditions, Schorske examines three Viennese pioneers of modernism--Adolf Loos, Gustav Mahler, and Sigmund Freud--as they sought new orientation in their fields. In a concluding essay, Schorske turns his attention to thinking about history. In the context of a postmodern culture, when other disciplines that had once abandoned history are discovering new uses for it, he reflects on the nature and limits of history for the study of culture. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Explorations in the Passage to Modernism
Author: Carl E. Schorske
Publisher: Princeton University Press
In The Use of the International Phonetic Alphabet in the Choral Rehearsal, Duane R. Karna brings together 30 essays by experts from around the world to describe how the character symbols of the International Phonetic Alphabet (IPA) can be used by singers in the choral rehearsal. Holding firmly to the belief that basic instruction in IPA character is part of a choir's training, Karna and his contributors see enormous potential for choirs to expand considerably their foreign-language repertoire and save considerable rehearsal time. The Use of the International Phonetic Alphabet in the Choral Rehearsal is the ideal primer for choral directors and choirmasters as well as choir members.
Author: Duane Richard Karna
Publisher: Scarecrow Press
This book surveys emerging music and education landscapes to present a sampling of the promising practices of music teacher education that may serve as new models for the 21st century. Contributors explore the delicate balance between curriculum and pedagogy, the power structures that influence music education at all levels, the role of contemporary musical practices in teacher education, and the communication challenges that surround institutional change. Models of programs that feature in-school, out-of-school and beyond school contexts, lifespan learning perspectives, active juxtapositions of formal and informal approaches to teaching and learning, student-driven project-based fieldwork, and the purposeful employment of technology and digital media as platforms for authentic music engagement within a contemporary participatory culture are all offered as springboards for innovative practice.
Author: Michele Kaschub,Janice Smith
Publisher: Oxford University Press
Designed specifically for teachers with little subject knowledge or experience in history, this book provides trainees with the confidence they need to teach primary history. Based on Curriculum 2000, the book provides valuable step-by-step guidance on how to create, plan, develop, organize and assess high-quality teaching activities in primary history. This book: is full of teaching approaches, practical ideas, teaching activities, real-life case studies and vignettes of good teaching practice; covers both conventional and modern approaches - such as drama, role-play, story telling, music and dance; and explains how each approach can be adapted to suit all primary ages and abilities. Children with a range of learning needs and styles respond with enthusiasm to a wide variety of teaching approaches - and this book provides trainee teachers with that repertoire and variety.
Author: Rosie Turner-Bisset
Historians are increasingly looking beyond the traditional, and turning to visual, oral, aural, and virtual sources to inform their work. The challenges these sources pose require new skills of interpretation and require historians to consider alternative theoretical and practical approaches. In order to help historians successfully move beyond traditional text, Sarah Barber and Corinna Peniston-Bird bring together chapters from historical specialists in the fields of fine art, photography, film, oral history, architecture, virtual sources, music, cartoons, landscape and material culture to explain why, when and how these less traditional sources can be used. Each chapter introduces the reader to the source, suggests the methodological and theoretical questions historians should keep in mind when using it, and provides case studies to illustrate best practice in analysis and interpretation. Pulling these disparate sources together, the introduction discusses the nature of historical sources and those factors which are unique to, and shared by, the sources covered throughout the book. Taking examples from around the globe, this collection of essays aims to inspire practitioners of history to expand their horizons, and incorporate a wide variety of primary sources in their work.
A Student’s Guide to Approaching Alternative Sources
Author: Sarah Barber,Corinna Peniston-Bird
Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema’s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses Explores the cinema as a site of social and cultural exchange, including patterns of popularity and taste, the role of individual movie theatres in creating and sustaining their audiences, and the commercial, political and legal aspects of film exhibition and distribution Prompts readers to reassess their understanding of key periods of cinema history, opening up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences Presents rigorous empirical research, drawing on digital technology and geospatial information systems to provide illuminating insights in to the uses of cinema
Approaches and Case Studies
Author: Richard Maltby,Daniel Biltereyst,Philippe Meers
Publisher: John Wiley & Sons
Category: Performing Arts
The First World War saw almost 100,000 German Jews wear the uniform of the Imperial army; some 12,000 of these soldiers lost their lives in battle. Over the last century, public memory of their sacrifice has been very gradually subsumed into the much greater catastrophe of the Holocaust. This book focuses on the multifaceted ways in which these Jewish soldiers have variously been remembered and forgotten from 1914 through until the late 1970s. During and immediately after the conflict, Germany's Jewish population were active participants in a memory culture that honoured the war dead as national heroes. With the decline of the Weimar Republic and the National Socialists' rise to power, however, the public commemoration of the Jewish soldiers gradually faded, as Germany's Jewish communities were systematically destroyed by the Nazi regime. It was only in the late 1950s that both Jews and other Germans began to rediscover and to re-remember this largely neglected group. By examining Germany's complex and continually evolving memory culture, this book opens up a new approach to the study of both German and German-Jewish history. In doing so, it draws out a narrative of entangled and overlapping relations between Jews and non-Jews during the short twentieth century. The Jewish / non-Jewish relationship, the book argues, did not end on the battlefields of the First World War, but ran much deeper to extend through into the era of the Cold War.
Author: Tim Grady
Publisher: Liverpool University Press
Increasingly, the religious practices people engage in and the ways they talk about what is meaningful or sacred take place in the context of media culture—in the realm of the so-called secular. Focusing on this intersection of the sacred and the secular, this volume gathers together the work of media experts, religious historians, sociologists of religion, and authorities on American studies and art history. Topics range from Islam on the Internet to the quasi-religious practices of Elvis fans, from the uses of popular culture by the Salvation Army in its early years to the uses of interactive media technologies at the Simon Wiesenthal Center's Beit Hashoah Museum of Tolerance. The issues that the essays address include the public/private divide, the distinctions between the sacred and profane, and how to distinguish between the practices that may be termed "religious" and those that may not.
Explorations in Media, Religion, and Culture
Author: Stewart M. Hoover,Lynn Schofield Clark
Publisher: Columbia University Press
A penetrating cross-disciplinary study of the cultural constructions of singing.
French Cultural Politics and Music During the Great War
Author: Regina M. Sweeney
Publisher: Wesleyan University Press
History and Culture in Italy is a scholarly, introductory survey of the history and culture of Italy, focusing on art and architecture, literature and philosophy, politics and historical events, and observations of daily life in modern Italy. The book is based on lectures and tours given over the course of four years to American students in Italy. It is written as a narrative, which readers have found makes it enjoyable to read. Chapters are identified according to subject. The book emphasizes the importance of the history and culture of Italy to modern life and identity in Western culture.
Author: John Hendrix
Publisher: University Press of America
This collection explores how creators extend the commercial life of their creative endeavours, and the impact of these legal developments.
Author: Kathy Bowrey,Michael Handler
Publisher: Cambridge University Press
There is a complex relationship between performance, youth, and the shifting material circumstances (social, cultural, economic, ideological, and political) under which theatre for children and youth is generated and perceived. This book explores different aspect of theatre for young audiences using examples from theatrical events globally.
A Critical and Historical Exploration
Author: Manon van de Water
Category: Performing Arts
Erik Cohen, who has published extensively on Thai tourism, turns in this volume to some new, and as yet unexplored, topics. In a wide-ranging series of detailed case studies, he examines the intricacies of tourism dynamics on the micro-level in Thailand: tourism in the tsunami disaster; the prolonged struggle regarding the filming of "The Beach" on pristine Maya beach; the "postmodern" mitigation of the conflicting explanations of the Mekong fireballs; the transformation of a backpacker enclave in northern Thailand; the process by which the Thai elephant became a tourist plaything; the Thai cowboy sub-culture as a tourist attraction; the rapidly growing medical tourism to Thailand; and the manner Santa Claus was turned into a tourist on Thai Christmas cards. Each study is placed within a broader theoretical and comparative framework. The case studies are based on a wide variety of sources, including interviews, observations and printed material.The book is an original contribution to the anthropology of tourism, and to the growing field of Thai studies.
Collected Case Studies
Author: Erik Cohen
Publisher: Emerald Group Publishing
Fender’s Telecaster is one of the icons of the guitar world. It’s not just manufacturer’s hype that this is the one of the most famous guitars of all time—it was the first production solid-body electric guitar, setting the style for everything that followed. To say this guitar changed the world of music is no over-the-top boast. This is the first history and giftbook devoted to the legendary Tele. It covers the development of the guitar and the famous players who made it their own, from the first 1949 prototype to the launch of the model in 1950 as the Esquire, through the Broadcaster, infamous “Nocaster,” the Telecaster—and its numerous variations today.
The Life and Times of the Electric Guitar That Changed the World
Author: Dave Hunter
Publisher: Voyageur Press