Ein Buch über das Sterben, das das Leben lehrt Die Medizin scheint über Krankheit und Tod zu triumphieren, doch sterben wir so trostlos wie nie zuvor. Der Bestsellerautor und renommierte Arzt Atul Gawande schreibt in seinem beeindruckenden Buch über das, was am Ende unseres Lebens wirklich zählt. Ungewöhnlich offen spricht er darüber, was es bedeutet, alt zu werden, wie man mit Gebrechen und Krankheiten umgehen kann und was wir an unserem System ändern müssen, um unser Leben würdevoll zu Ende zu bringen. Ein mutiges und weises Buch eines großartigen Autors, voller Geschichten und eigener Erfahrungen, das uns hilft, die Geschichte unseres Lebens gut zu Ende zu erzählen. »Dieses Buch ist nicht nur weise und sehr bewegend, sondern gerade in unserer Zeit unbedingt notwendig und sehr aufschlussreich.« Oliver Sacks »Die medizinische Betreuung ist mehr auf Heilung ausgelegt als auf das Sterben. Dies ist Atuls Gawandes stärkstes und bewegendstes Buch.« Malcolm Gladwell
Was am Ende wirklich zählt. Über Würde, Autonomie und eine angemessene medizinische Versorgung
Author: Atul Gawande
Publisher: S. Fischer Verlag
The author calls for the reinvestment of dying with the rituals that once gave it spiritual and social meaning, surveying the many ways death has been treated throughout history and demonstrating how the arts might lend a renewed reverence to death. UP.
Recovering a Death of Our Own
Author: Donald Heinz
Publisher: Oxford University Press on Demand
Category: Family & Relationships
Lots of us want to get that ultimate washboard stomach and there’s tons of advice out there to help us; a never-ending avalanche of books, magazines, websites and TV programmes. But who’s got the time to wade through this lot to sift the stuff that works from the rubbish? What we need are failsafe short cuts to fantastic abs, increased general fitness and weight loss. Lose weight is the indispensable guide to losing weight and toning up your midriff. Packed with down-to-earth, simple and effective advice, Lose weight will show you how to lose weight via a healthier and more balanced diet, and explains the top tummy exercises to help achieve the trim and toned abdomen you want.
Shortcuts to quick weight loss
Author: Infinite Ideas
Publisher: Infinite Ideas
Category: Health & Fitness
"Mortal Engines - Krieg der Städte" ist der Auftaktband zu Philip Reeves monumentaler Fantasyserie voller Luftschiffe und Piraten, Kopfgeldjäger und Aeronauten – und fahrender Städte. Niemand hatte mit einem Attentat gerechnet. Als das Mädchen mit dem Tuch vor dem Gesicht ein Messer zückt, um den Obersten Historiker Londons, Thaddeus Valentine, umzubringen, kann ihm der junge Gehilfe Tom in letzter Sekunde das Leben retten. Er verfolgt das Mädchen, das jedoch durch einen Entsorgungsschacht in die Außenlande entkommt. Dass Valentine, statt seinem Retter zu danken, den Jungen gleich mit hinausstößt, konnte ebenfalls beim besten Willen keiner ahnen ... Damit beginnt Toms abenteuerliche Odyssee durch die Großen Jagdgründe zurück nach London. Begleitet wird er von der unbeirrbaren Hester Shaw, die fest entschlossen ist, den Mord an ihren Eltern zu rächen. Sie treffen auf Sklavenhändler und Piraten, werden von einem halbmenschlichen Kopfgeldjäger verfolgt und von einer Aeronautin namens Anna Fang gerettet. Und all das, während Valentine plant, mittels einer Superwaffe aus dem Sechzig-Minuten-Krieg die Feinde der fahrenden Städte zu vernichten ... Für Leser von Philip Pullman oder J.R.R. Tolkien und Fans von Peter Jackson. "Mortal Engines - Krieg der Städte" ist der erste Band des „Mortal Engines“-Quartetts Band 2: Mortal Engines – Jagd durchs Eis Band 3: Mortal Engines – Der Grüne Sturm Band 4: Mortal Engines – Die verlorene Stadt
Author: Philip Reeve
Publisher: S. Fischer Verlag
I HAVE not found it possible to revise this book as completely as I should have wished. I have corrected a bad mistake of a copyist, and added a few pages of new verses towards the end, and softened some phrases in the introduction which seemed a little petulant in form, and written in a few more to describe writers who have appeared during the last four years, and that is about all. I compiled it towards the end of a long indignant argument, carried on in the committee rooms of our literary societies, and in certain newspapers between a few writers of our new movement, who judged Irish literature by literary standards, and a number of people, a few of whom were writers, who judged it by its patriotism and by its political effect; and I hope my opinions may have value as part of an argument which may awaken again. The Young Ireland writers wrote to give the peasantry a literature in English in place of the literature they were losing with Gaelic, and these methods, which have shaped the literary thought of Ireland to our time, could not be the same as the methods of a movement which, so far as it is more than an instinctive expression of certain moods of the soul, endeavours to create a reading class among the more leisured classes, which will preoccupy itself with Ireland and the needs of Ireland. The peasants in eastern counties have their Young Ireland poetry, which is always good teaching and sometimes good poetry, and the peasants of the western counties have beautiful poems and stories in Gaelic, while our more leisured classes read little about any country, and nothing about Ireland. We cannot move these classes from an apathy, come from their separation from the land they live in, by writing about politics or about Gaelic, but we may move them by becoming men of letters and expressing primary emotions and truths in ways appropriate to this country. One carries on the traditions of Thomas Davis, towards whom our eyes must always turn, not less than the traditions of good literature, which are the morality of the man of letters, when one is content, like A.E. with fewer readers that one may follow a more hidden beauty; or when one endeavours, as I have endeavoured in this book, to separate what has literary value from what has only a patriotic and political value, no matter how sacred it has become to us.
Author: William Butler Yeats
Publisher: Library of Alexandria
Category: English poetry
An introduction to the work and ideas of artists who use—and even influence—science and technology.
Intersections of Art, Science, and Technology
Author: Stephen Wilson
Publisher: MIT Press
Author: James Montgomery
Category: Christian poetry, English
über die neusten englischen Dichter
Author: Friedrich Johann Jacobsen
Author: Friedrich Johann Jacobsen
Socrates, an Athenian soldier, was a calmly efficient killing machine. His student Plato was an accomplished and broad-shouldered wrestler. Martial arts and philosophy have always gone hand in hand, as well as fist in throat. Philosophical argument is closely parallel with hand-to-hand combat. And all of today’s Asian martial arts—like Karate, Kung-Fu, Judo, or Aikido—were developed to embody and apply philosophical ideas. The Japanese martial tradition of Budo, for instance, was influenced by the three philosophical traditions of Shinto, Confucianism, and Zen Buddhism, and these philosophies are still taught in Japanese martial arts schools all across the world. As Damon Young explains in his chapter, the Japanese martial arts customs of courtesy are derived from Shinto purity, Confucian virtues, and the loving brutality of Zen. In his interview with Bodidharma (included in the book), Graham Priest brings out aspects of Buddhist philosophy behind Shaolin Kung-Fu—how fighting monks are seeking Buddhahood, not brawls. But as Scott Farrell’s chapter reveals, Eastern martial arts have no monopoly on philosophical traditions. Western chivalry is an education in and living revival of Aristotelian ethical theories. The Western martial art of fencing is explored by Nick Michaud, who looks at the morality of selfishness in fencing, and Christopher Lawrence and Jeremy Moss, who try to pin down what makes fencing unique: is it the sword, the techniques, the footwork, the aristocratic aura, or something else? Jack Fuller argues that his training in Karate was an education in Stoicism. Travis Taylor and Sasha Cooper reveal the utilitarian thinking behind Jigoro Kano’s Judo. Kevin Krein maintains that the martial arts are a reply to the existentialist’s anxiety about the meaninglessness of life. Patricia Peterson examines Karate’s contribution to feminism, and Scott Beattie analyzes the role of space in the martial arts school. Joe Lynch pits the Western ideas of Plato against the Eastern ideas of the Shaolin monks. Bronwyn Finnigan and Koji Tanaka uncover the meaning of human action as it appears in Kendo. Rick Schubert explains the meaning of mastery in the fighting arts. Moving to ethical issues, Tamara Kohn discovers what we owe to others in Aikido. Chris Mortensen questions whether his own Buddhist pacifism is compatible with being a martial artist. In different ways, Gillian Russell and John Haffner and Jason Vogel assess the ways in which martial arts can morally compromise us. How can the sweaty and the brutal be exquisitely beautiful? Judy Saltzman looks into the curious charm of fighting and forms, with help from Friedrich Nietzsche.
Beating and Nothingness
Author: Graham Priest,Damon A. Young
Publisher: Open Court
This volume presents a series of papers concerned with the interrelations between the postmodern and the present state of art and design education. Spanning a range of thematic concerns, the book reflects upon existing practice and articulates revolutionary prospects potentially viable through a shift in educative thinking. Many of the essays pinpoint the stagnancy of teaching methods today and discuss the reductive parameters enforced by the current curriculum. The radical tone that echoes through the entire series of papers is unmistakable. Throughout the book, postmodern theory informs the polemical debate concerning new directions in educative practice. Contributors shed new light on a postmodern view of art in education with emphasis upon difference, plurality and independence of mind. Ultimately, the paper provides a detailed insight into the various concepts that shape and drive the contemporary art world and expands the debate regarding the impression of postmodern thinking in art education.
Author: Tom Hardy
Publisher: Intellect Books
Since the nineteenth century, it has been assumed that the concept of personal identity in the early modern period is bound up with secularization. Indeed, many explanations of the emergence of modernity have been based on this thesis, in which Shakespeare as a secular author has played a central role. However, the idea of secularization is now everywhere under threat. The secularity of modern society is less apparent than it was a generation ago. Shakespeare, too, has come to be seen in a religious perspective. What happens to human identity in this different framework? Mortal Thoughts asks what selfhood looks like if we do not assume that an idea of the self could only come into being as a result of an emptying out of a religious framework. It does so by examining human mortality. What it is to be human, and how a life is framed by its ending, are issues that cross religious confessions in early modernity, and interrogate the sacred and secular divide. A series of chapters examines literature and art in relation to concepts such as conscience, martyrdom, soliloquy, luck, suicide, and embodiment. Religious and philosophical creativity are revealed as poised around anxieties about finitude and contingency, challenging conventional divisions between kinds of literary and artistic endeavour. Mortal Thoughts considers incipient genres of life writing (More, Foxe and Montaigne) and life drawing (Dürer, Hans Baldung Grien) in relation to dramatic representation and literary narration (Shakespeare, Donne, Milton). In the process it asks whether the problem of human identity rewrites historical boundaries.
Religion, Secularity, & Identity in Shakespeare and Early Modern Culture
Author: Brian Cummings
Publisher: OUP Oxford
Category: Literary Criticism
A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression—what Pasolini called the "cinema of poetry." While Luzzi establishes how certain qualities of film—its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art—have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history. In other words, what makes this version of the art film recognizably "Italian"?
Aesthetics of the Italian Art Film
Author: Joseph Luzzi
Publisher: JHU Press
Category: Performing Arts
In which the Words are Deduced from Their Originals, and Illustrated in Their Different Significations by Examples from the Best Writers. To which are Prefixed a History of the Language, and an English Grammar
Author: Samuel Johnson
Category: English language