Provides step-by-step instructions for building artistic yet practical small scale housing for chickens.
A Fun and Essential Guide to Housing Your Peeps
Author: Chris Gleason
Publisher: Fox Chapel Publishing Company Incorporated
Category: Crafts & Hobbies
Are you looking for a great way to reconnect with the earth, the community, and your food sources? Keeping backyard chickens is a fun, simple way to start making this happen, even with limited space in your backyard. Let the Chicken Whisperer (poultry personality Andy Schneider) teach you everything he knows…and everything you need to know…about raising a backyard flock! Ditch the super-technical manuals and enjoy Andy's unique, common-sense perspective in The Chicken Whisperer's Guide to Keeping Chickens. This fun, comprehensive guide is a perfect fit for your busy lifestyle. Inside, you’ll learn:—The Benefits of a Backyard Chicken Flock—So You're Eggspecting: The Art of Incubation— The Art of Brooding—Home Sweet Home: Coops & Runs—Nutrition, Health, and Wellness…and much more!
Everything You Need to Know . . . and Didn't Know You Needed to Know About Backyard and Urban Chickens
Author: Andy Schneider,Brigid McCrea
Explains the advantages and disadvantages of short selling and tells how to examine financial statements and balance sheets to determine which companies are likely candidates
Author: Kathryn F. Staley
Publisher: John Wiley & Sons
Category: Business & Economics
A NEW YORK TIMES BOOK REVIEW NOTABLE BOOK OF THE YEAR A FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE IN BIOGRAPHY AND SHORTLISTED FOR THE PEN/JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY "Welcome to Rockwell Land," writes Deborah Solomon in the introduction to this spirited and authoritative biography of the painter who provided twentieth-century America with a defining image of itself. As the star illustrator of The Saturday Evening Post for nearly half a century, Norman Rockwell mingled fact and fiction in paintings that reflected the we-the-people, communitarian ideals of American democracy. Freckled Boy Scouts and their mutts, sprightly grandmothers, a young man standing up to speak at a town hall meeting, a little black girl named Ruby Bridges walking into an all-white school—here was an America whose citizens seemed to believe in equality and gladness for all. Who was this man who served as our unofficial "artist in chief" and bolstered our country's national identity? Behind the folksy, pipe-smoking façade lay a surprisingly complex figure—a lonely painter who suffered from depression and was consumed by a sense of inadequacy. He wound up in treatment with the celebrated psychoanalyst Erik Erikson. In fact, Rockwell moved to Stockbridge, Massachusetts so that he and his wife could be near Austen Riggs, a leading psychiatric hospital. "What's interesting is how Rockwell's personal desire for inclusion and normalcy spoke to the national desire for inclusion and normalcy," writes Solomon. "His work mirrors his own temperament—his sense of humor, his fear of depths—and struck Americans as a truer version of themselves than the sallow, solemn, hard-bitten Puritans they knew from eighteenth-century portraits." Deborah Solomon, a biographer and art critic, draws on a wealth of unpublished letters and documents to explore the relationship between Rockwell's despairing personality and his genius for reflecting America's brightest hopes. "The thrill of his work," she writes, "is that he was able to use a commercial form [that of magazine illustration] to thrash out his private obsessions." In American Mirror, Solomon trains her perceptive eye not only on Rockwell and his art but on the development of visual journalism as it evolved from illustration in the 1920s to photography in the 1930s to television in the 1950s. She offers vivid cameos of the many famous Americans whom Rockwell counted as friends, including President Dwight Eisenhower, the folk artist Grandma Moses, the rock musician Al Kooper, and the generation of now-forgotten painters who ushered in the Golden Age of illustration, especially J. C. Leyendecker, the reclusive legend who created the Arrow Collar Man. Although derided by critics in his lifetime as a mere illustrator whose work could not compete with that of the Abstract Expressionists and other modern art movements, Rockwell has since attracted a passionate following in the art world. His faith in the power of storytelling puts his work in sync with the current art scene. American Mirror brilliantly explains why he deserves to be remembered as an American master of the first rank.
Author: Deborah Solomon
Publisher: Farrar, Straus and Giroux
Category: Biography & Autobiography
A beloved French author, journalist, editor and fashion blogger, at 49 years of age, makes a deliberate choice to remain single and celibate, a truly liberating decision that opens up a number of questions about the over-sexed society in which we live.
Why One French Woman Suddenly Gave Up Sex
Author: Sophie Fontanel
Publisher: Simon and Schuster
Category: Biography & Autobiography
"A how-to book on the art, craft and practice of lighting for film & video for students and filmmakers"--
A Practical Guide to the Art and Craft of Lighting for the Moving Image
Author: David Landau
Publisher: A&C Black
Category: Performing Arts
Edited by Lorin and Sadie Stein What does it take to write a great short story? In Object Lessons, twenty-one contemporary masters of the genre answer that question, sharing favourite stories from the pages of The Paris Review. A laboratory for new fiction since its founding in 1953, The Paris Review has launched hundreds of careers while publishing some of the most inventive and best-loved stories of the last half century. This anthology – the first of its kind – is more than a treasury: it is an indispensable resource for writers, students and anyone else who wants to understand fiction from a writer's point of view. A repository of incredible fiction, Object Lessons includes contributions from Chimamanda Ngozi Adichie, Daniel Alarcon, Donald Antrim, Lydia Davis, Dave Eggers, Mary Gaitskill, Aleksandar Hemon, Jonathan Lethem, Sam Lipsyte, Ben Marcus, Colum McCann, Lorrie Moore, Norman Rush, Mona Simpson and Ali Smith, among others.
The Paris Review Presents the Art of the Short Story
Publisher: Random House
This book consists of 36 humours short stories about everyday life. Topics cover: how to Stay Young Forever, The East Coast Ghost, Home Invasion, The Sex Diet, Santa and the Happy Hooker, I am Dying of Baldness, Your Mate as a Vehicle, The Dancer and the Border Cops, What is Your Sexual Number and many more.
Humours Short Stories of Everyday Life
Author: Col. Layton Park
Trappist monk and best-selling author, Thomas Merton battled constantly within himself as he attempted to reconcile two seemingly incompatible roles in life. As a devout Catholic, he took vows of silence and stability, longing for the security and closure of the monastic life. But as a writer he felt compelled to seek friendships in literary circles and success in the secular world. In Thomas Merton's Art of Denial, David D. Cooper traces Merton's attempts to reach an accommodation with himself, to find a way in which "the silence of the monk could live compatibly with the racket of the writer." From the roots of this painful division in the unsettled early years of Merton's life, to the turmoil of his directionless early adult years in which he first attempted to write, he was besieged with self-doubts. Turning to life in a monastery in Kentucky in 1941, Merton believed he would find the solitude and peace lacking in the quotidian world. But, as Merton once wrote, "An author in a Trappist monastery is like a duck in a chicken coop. And he would give anything in the world to be a chicken instead of a duck." Merton felt compelled to choose between life as either a less than perfect priest or a less prolific writer. Discovering in his middle years that the ideal monastic life he had envisioned was an impossibility, Merton turned his energies to abolishing war. It was in this pursuit that he finally succeeded in fusing the two sides of his life, converting his frustrated idealism into a radical humanism placed in the service of world peace. Here is a portrait of a man torn between the influence of the twentieth century and the serenity of the religious ideal, a man who used his own personal crises to guide his youthful ideals to a higher purpose.
The Evolution of a Radical Humanist
Author: David D. Cooper
Publisher: University of Georgia Press
Category: Literary Criticism
Today, it is difficult to imagine a living room without a sofa. When the first sofas on record were delivered in seventeenth-century France, the result was a radical reinvention of interior space. Symptomatic of a new age of casualness and comfort, the sofa ushered in an era known as the golden age of conversation; as the first piece of furniture designed for two, it was also considered an invitation to seduction. With the sofa came many other changes in interior space we now take for granted: private bedrooms, bathrooms, and the original living rooms. None of this could have happened without a colorful cast of visionaries-legendary architects, the first interior designers, and the women who shaped the tastes of two successive kings of France: Louis XIV's mistress Madame de Maintenon and Louis XV's mistress Madame de Pompadour. Their revolutionary ideas would have a direct influence on realms outside the home, from clothing to literature and gender relations, changing the way people lived and related to one another for the foreseeable future.
When Paris Discovered Casual--and the Modern Home Began
Author: Joan DeJean
Publisher: Bloomsbury Publishing USA
Abandoned by her father and rejected by her mother, 4 year-old Jennie is taken without explanation from her kindergarten class and driven through the night to live with her grandparents. They live on a farm where gophers pop out of the ground, turkey gobblers give chase, the bathroom is in a little house near the woods, and which is austere and culturally limited. Almost from the beginning she tries to run away back to live with her mother in Minneapolis. But her grandparents, although undemonstrative, steadfastly support her. Grandpa helps her with her homework at night sitting around the kitchen table lit by a kerosene lamp, she sits on his lap, while riding the binder, and curls up with him on the sofa at nap time. She helps her Grandmother with the chickens, picking eggs and feeding the pigs. But conflicts arise. Especially with her aunt , Hilda who is spiteful and humiliating. Jennie wants to run away and find her father in Canada but all her attempts fail. As far back as in kindergarten, Jennie liked to draw. So in first grade when she was asked to draw the picture placed on the blackboard in front of the class, she worked hard to copy the exact likeness. The picture was The Last Supper. After that, she became known as the class artist. Hilda felt Jennie was wasting her time drawing and discouraged her. Reading, another of Jennie's interests, was also considered wasteful. All through high school Jennie continued to be the school artist. During this time she became attached to Frank, a future farmer with a kind, uncomplicated view of life. He loved her but knew her dream was to leave the farm and go to study art. After graduating from high school Jennie is offered a job in Washington, D. C. Her grandmother slips her thirty dollars and urges her to leave at once, before Aunt Hilda can interfere. Her new life in the city is a shock and a revelation. Jennie discovers art galleries, takes her first real art lesson using pastels, and begins to acquire a new set of goals and values. Two years later, she returns to Minneapolis and enrolls at the University of Minnesota in art. Life is a struggle as she has to work to support herself and pay for her education. While working at one of the her jobs, she meets Jim, a young psychology student who is using the G.I. Bill to attend university. Soon they marry, unknown to either Jennies' mother or her aunt Hilda. Jim is very supportive of Jennie's interest in art. Between leaving the farm and starting university a series of tragedies occurred. Her grandparents diedfirst her grandfather, then her grandmother. Earlier a favorite uncle shot himself. Another uncle died under questionable circumstances and her mother becomes committed to a mental hospital while her father remained a mystery in spite of efforts to locate him. After graduating from university, she paints and exhibits her work, exploring new directions of expression. It is not easy to find success. When galleries are either hanging her work upside down or failing to pay her, they disappear from sight. Her first real success comes from entering a painting in an exhibition in New York. Titled Subjective-Objective, the painting and received first prize. From then on Jennie's goal to become an accomplished artist plays an important part in her life. Still, she couldn't forget the farm where her uncle now lives. One day, she decided to go back to the place she'd grown up and had wanted to escape. Seeing the faded wallpaper on the upstairs hall the stippled paint walls, the empty bookcase, Jennie becomes aware she has slowly moved from the austere and culturally limited setting of the farm to a new world, one of painting, art, and intellectual interactions. She'd left the farm and could not return. Back in Toronto, Jennie walked into their condo, past th
Author: Ethel Christensen
Publisher: Xlibris Corporation
Category: Family & Relationships
Author Mallea-Olaetxe analyzes the content of thousands of arboglphs in the mountains of Nevada and California.
Basque Tree Carvings in Nevada and California
Author: J. Mallea-Olaetxe
Publisher: University of Nevada Press
Artistic media seem to be in a permanent condition of mutation and transformation. Contemporary artists often investigate the limits and possibilities of the media they use and experiment with the crossing, upgrading and mutilation of media. Others explicitly explore the unknown intermedial space between existing media, searching for the hybrid beings that occupy these in-betweens. This issue of Theater Topics explores the theme of mutating and adapting media in its relation with theatre and performance. Bringing together international scholars and artists, this book provides a comprehensive overview of the subject. Throughout, Bastard or Playmate? is responsive to the cross-disciplinary use of key concepts such as remediation, digitization, interactivity, corporeality, liveness, surveillance, spectacle, performativity and theatricality. The book guides readers new to the area of intermediality, as well as experienced researchers into one of the most dynamic fields of scholarship. Bastard or Playmate? Adapting Theatre, Mutating Media and the Contemporary Performing Arts is the fifth issue of the series Theater Topics. This series contains publications about research in and about theatre, each issue giving a comprehensive overview of research concerning a specific topic. This issue contains contributions by Katia Arfara, Edwin Carels, Jeroen Coppens, Nancy Delhalle, Tom Engels, Christophe Van Gerrewey, Eva Heisler, Evelien Jonckheere, Sarah Kenderdine and Jeffrey Shaw, Elise Morrison, Marco Pustianaz, Frederik Le Roy, Anna Teresa Scheer, Klaas Tindemans, and Nele Wynants.
adapting theatre, mutating media and the contemporary performing arts
Author: David Depestel,Robrecht Vanderbeeken,Christel Stalpaert,Boris Debackere
Publisher: Amsterdam University Press
In his works, Hopper poetically expressed the solitude of man confronted to the American way of life as it developed in the 1920s. Inspired by the movies and particularly by the various camera angles and attitudes of characters, his paintings expose the alienation of mass culture. Created using cold colours and inhabited by anonymous characters, Hopper’s paintings also symbolically reflect the Great Depression. Through a series of different reproductions (etchings, watercolours, and oil-on-canvas paintings), as well as thematic and artistic analysis, the author sheds new light on the enigmatic and tortured world of this outstanding figure.
Author: Gerry Souter
Publisher: Parkstone International
The perfect keg. Filled with perfect beer. A symphony of flavors in the mouth. The right blend of sweet and bitter. The fluid in that keg represents a year’s work. Actually brewing it took a few weeks. But to make it truly the perfect keg, Ian Coutts had to go right back to fundamentals. This beer didn’t start with a beer-making kit, which is what most homebrewers use. And it didn’t rely on pre-roasted industrial malt, which is how commercial brewers big and small do it. Coutts made his own malt, aerating wet barley with an aquarium bubbler and blasting it with a hair dryer. Of course, to do that he needed barley. So he grew his own. Hops, too. Yeast, he went out and captured. And that's it. With this beer, the only additives are knowledge and history. There were plenty of adventures, misadventures, and missteps along the way, but Ian writes about them with humor and aplomb, including his own recipes and those of people he worked with in the brewing process, proving it’s possible to make the perfect keg of wholly natural beer in one year.
Sowing, Scything, Malting and Brewing My Way to the Best-Ever Pint of Beer
Author: Ian Coutts
Publisher: Greystone Books