American Cinema of the 1930s

Themes and Variations

Author: Ina Rae Hark

Publisher: Rutgers University Press

ISBN: 0813540828

Category: History

Page: 279

View: 3293

Abstract:. - http://www3.openu.ac.il/ouweb/owal/new_books1.book_desc?in_mis_cat=115074.
Posted in History

The Unknown 1930s

An Alternative History of the British Cinema, 1929- 1939

Author: Jeffrey Richards

Publisher: I.B.Tauris

ISBN: 9781860646287

Category: Performing Arts

Page: 288

View: 969

A group of leading British film historians reassess the films, stars, genres and directors usually omitted from accounts of 1930s British cinema, including how MGM dealt with the dictates of the Films Act and a view of audiences during this period.
Posted in Performing Arts

Hollywood, Westerns and the 1930s

the lost trail

Author: Peter Stanfield

Publisher: University of Exeter Press

ISBN: N.A

Category: Performing Arts

Page: 258

View: 2114

For the first time, this book tells the 'lost' story of the 1930s Western. Written from a concern to understand Western films primarily as products of Hollywood's studio system, it recovers the context in which Westerns were produced, exhibited and viewed in the 1930s. Peter Stanfield highlights the hitherto marginalised 'B' or 'series' Western, the significance of female audiences, the role of independent exhibitors and of censorship in shaping film production. The book includes illustrations from the following films: Arizona, The Big Trail, Billy the Kid, Cimarron, Destry Rides Again, Dodge City, In Old Arizona, In Old Santa Fe, Jesse James, The Lash, Let Freedom Ring, Oh, Susanna!, Oklahoma Kid, The Plainsman, Ramona, Santa Fe Trail, Stand Up and Fight, Three Godfathers, Trail of the Lonesome Pine, Tumbling Tumbleweeds, Union Pacific, Virginia City, The Virginian, and The Westerner.
Posted in Performing Arts

Hollywood and the Great Depression

American Film, Politics and Society in the 1930s

Author: Iwan Morgan

Publisher: Edinburgh University Press

ISBN: 1474414028

Category: Performing Arts

Page: 296

View: 2306

Examines how Hollywood responded to and reflected the political and social changes that America experienced during the 1930sIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nations history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelts New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.Topics covered include:How Hollywood offered positive representations of working womenCongressional investigations of big-studio monopolization over movie distributionHow three different types of musical genres related in different ways to the Great Depression the Warner Bros Great Depression Musicals of 1933, the Astaire/Rogers movies, and the MGM akids musicals of the late 1930sThe problems of independent production exemplified in King Vidors Our Daily BreadCary Grants success in developing a debonair screen persona amid Depression conditionsContributors Harvey G. Cohen, King's College LondonPhilip John Davies, British LibraryDavid Eldridge, University of HullPeter William Evans, Queen Mary, University of LondonMark Glancy, Queen Mary University of LondonIna Rae Hark, University of South CarolinaIwan Morgan, University College LondonBrian Neve, University of BathIan Scott, University of ManchesterAnna Siomopoulos, Bentley UniversityJ. E. Smyth, University of WarwickMelvyn Stokes, University College LondonMark Wheeler, London Metropolitan University
Posted in Performing Arts

Returning the Gaze

A Genealogy of Black Film Criticism, 1909-1949

Author: Anna Everett

Publisher: N.A

ISBN: N.A

Category: Performing Arts

Page: 365

View: 9583

Rediscovers and examines the lost history of African-American film criticism from the first half of the century.
Posted in Performing Arts

Cinemas of the World

Film and Society from 1895 to the Present

Author: James Chapman

Publisher: Reaktion Books

ISBN: 1861895747

Category: Performing Arts

Page: 480

View: 615

The cinema has been the pre-eminent popular art form of the 20th century. In Cinemas of the World, James Chapman examines the relationship between film and society in the modern world: film as entertainment medium, film as a reflection of national cultures and preoccupations, film as an instrument of propaganda. He also explores two interrelated issues that have recurred throughout the history of cinema: the economic and cultural hegemony of Hollywood on the one hand, and, on the other, the attempts of film-makers elsewhere to establish indigenous national cinemas drawing on their own cultures and societies. Chapman examines the rise to dominance of Hollywood cinema in the silent and early sound periods. He discusses the characteristic themes of American movies from the Depression to the end of the Cold War especially those found in the western and film noir – genres that are often used as vehicles for exploring issues central to us society and politics. He looks at national cinemas in various European countries in the period between the end of the First World War and the end of the Second, which all exhibit the formal and aesthetic properties of modernism. The emergence of the so-called "new cinemas" of Europe and the wider world since 1960 are also explored. "Chapman is a tough-thinking, original writer . . . an engaging, excellent piece of work."—David Lancaster, Film and History
Posted in Performing Arts

Glamour in a Golden Age

Movie Stars of the 1930s

Author: Adrienne L. McLean

Publisher: Rutgers University Press

ISBN: 0813549043

Category: Biography & Autobiography

Page: 297

View: 2371

Shirley Temple, Clark Gable, Errol Flynn and Olivia de Havilland, Fred Astaire and Ginger Rogers, Bette Davis, Joan Crawford and Norma Shearer, Marlene Dietrich and Greta Garbo, William Powell and Myrna Loy, Jean Harlow, and Gary Cooper-Glamour in a Golden Age presents original essays from eminent film scholars that analyze movie stars of the 1930s against the background of contemporary American cultural history. Stardom is approached as an effect of, and influence on, the particular historical and industrial contexts that enabled these actors and actresses to be discovered, featured in films, publicized, and to become recognized and admired-sometimes even notorious-parts of the cultural landscape. Using archival and popular material, including fan and mass market magazines, other promotional and publicity material, and of course films themselves, contributors also discuss other artists who were incredibly popular at the time, among them Ann Harding, Ruth Chatterton, Nancy Carroll, Kay Francis, and Constance Bennett.
Posted in Biography & Autobiography

Knockout

The Boxer and Boxing in American Cinema

Author: Leger Grindon

Publisher: Univ. Press of Mississippi

ISBN: 9781604739893

Category: Performing Arts

Page: 320

View: 7334

Knockout: The Boxer and Boxing in American Cinema is the first book-length study of the Hollywood boxing film, a popular movie entertainment since the 1930s, that includes such classics as Million Dollar Baby, Rocky, and Raging Bull. The boxer stands alongside the cowboy, the gangster, and the detective as a character that shaped America's ideas of manhood. Leger Grindon relates the Hollywood boxing film to the literature of Jack London, Ernest Hemingway, and Clifford Odets; the influence of ring champions, particularly Joe Louis and Muhammad Ali; and controversies surrounding masculinity, race, and sports. Knockout breaks new ground in film genre study by focusing on the fundamental dramatic conflicts uniting both documentary and fictional films with compelling social concerns. The boxing film portrays more than the rise and fall of a champion; it exposes the body in order to reveal the spirit. Not simply a brute, the screen boxer dramatizes conflicts and aspirations central to an American audience's experience. This book features chapters on the conventions of the boxing film, the history of the genre and its relationship to famous ring champions, and self-contained treatments of thirty-two individual films including a chapter devoted to Raging Bull.
Posted in Performing Arts

Levinas and the Cinema of Redemption

Time, Ethics, and the Feminine

Author: Sam B. Girgus

Publisher: Columbia University Press

ISBN: 0231519494

Category: Performing Arts

Page: 272

View: 3235

In his philosophy of ethics and time, Emmanuel Levinas highlighted the tension that exists between the "ontological adventure" of immediate experience and the "ethical adventure" of redemptive relationships-associations in which absolute responsibility engenders a transcendence of being and self. In an original commingling of philosophy and cinema study, Sam B. Girgus applies Levinas's ethics to a variety of international films. His efforts point to a transnational pattern he terms the "cinema of redemption" that portrays the struggle to connect to others in redeeming ways. Girgus not only reveals the power of these films to articulate the crisis between ontological identity and ethical subjectivity. He also locates time and ethics within the structure and content of film itself. Drawing on the work of Luce Irigaray, Tina Chanter, Kelly Oliver, and Ewa Ziarek, Girgus reconsiders Levinas and his relationship to film, engaging with a feminist focus on the sexualized female body. Girgus offers fresh readings of films from several decades and cultures, including Frank Capra's Mr. Smith Goes to Washington (1939), Federico Fellini's La dolce vita (1959), Michelangelo Antonioni's L'avventura (1960), John Huston's The Misfits (1961), and Philip Kaufman's The Unbearable Lightness of Being (1988).
Posted in Performing Arts

British Horror Cinema

Author: Steve Chibnall,Julian Petley

Publisher: Psychology Press

ISBN: 9780415230032

Category: Performing Arts

Page: 242

View: 6184

British Horror Cinema investigates a wealth of horror filmmaking in Britain, from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man. Contributors explore the contexts in which British horror films have been censored and classified, judged by their critics and consumed by their fans. Uncovering neglected modern classics like Deathline, and addressing issues such as the representation of family and women, they consider the Britishness of British horror and examine sub-genres such as the psycho-thriller and witchcraftmovies, the work of the Amicus studio, and key filmmakers including Peter Walker. Chapters include: the 'Psycho Thriller' the British censors and horror cinema femininity and horror film fandom witchcraft and the occult in British horror Horrific films and 1930s British Cinema Peter Walker and Gothic revisionism. Also featuring a comprehensive filmography and interviews with key directors Clive Barker and Doug Bradley, this is one resource film studies students should not be without.
Posted in Performing Arts

Songs of Love and Death

The Classical American Horror Film of the 1930s

Author: Michael Sevastakis

Publisher: N.A

ISBN: 9780313279492

Category: Horror films

Page: 208

View: 7868

This book examines eleven horror films in-depth and their relationships to Romantic Gothic literary conventions--mainly, but not solely, found in works dating from the eighteenth and nineteenth centuries. To illustrate the use of these conventions in film, Michael Sevastakis analyzes shots from scenes and sequences of all films discussed. Due to the large quantity of horror films produced during this period, the films in this book have been selected on the basis of their supernatural and preternatural content, and upon four conventions predicated on fictional literary models dealing with the villain-hero as "Necrophile," "Modern Prometheus," "Symbol of Destiny," and "Tormented Hero." These four sections comprise eleven chapters; in addition, there is an introduction and conclusion. Some of the movies that are discussed include Tod Browning's Dracula (1931), and Devil Doll (1936), Karl Freund's The Mummy (1932), and Mad Love (1935), James Whale's Frankenstein (1931), and The Invisible Man (1933),Erle Kenton's Island of Lost Souls (1933), Ruben Mamoulian's Dr. Jekyll and Mr. Hyde (1932), abd Lambert Hillyer's Dracula's Daughter (1936).
Posted in Horror films

Classic Hollywood

Lifestyles and Film Styles of American Cinema, 1930-1960

Author: Veronica Pravadelli

Publisher: University of Illinois Press

ISBN: 0252096738

Category: Performing Arts

Page: 248

View: 7698

Studies of "Classic Hollywood" typically treat Hollywood films released from 1930 to 1960 as a single interpretive mass. Veronica Pravadelli complicates this idea. Focusing on dominant tendencies in box office hits and Oscar-recognized classics, she breaks down the so-called classic period into six distinct phases that follow Hollywood's amazingly diverse offerings from the emancipated females of the "Transition Era" and the traditional men and women of the conservative 1930s that replaced it to the fantastical Fifties movie musicals that arose after anti-classic genres like film noir and women's films. Pravadelli sets her analysis apart by paying particular attention to the gendered desires and identities exemplified in the films. Availing herself of the significant advances in film theory and modernity studies that have taken place since similar surveys first saw publication, she views Hollywood through strategies as varied as close textural analysis, feminism, psychoanalysis, film style and study of cinematic imagery, revealing the inconsistencies and antithetical traits lurking beneath Classic Hollywood's supposed transparency.
Posted in Performing Arts

Cinema, Transnationalism, and Colonial India

Entertaining the Raj

Author: Babli Sinha

Publisher: Routledge

ISBN: 113676500X

Category: History

Page: 158

View: 5009

Through the lens of cinema, this book explores the ways in which the United States, Britain and India impacted each other politically, culturally and ideologically. It argues that American films of the 1920s posited alternative notions of whiteness and the West to that of Britain, which stood for democracy and social mobility even at a time of virulent racism. The book examines the impact that the American cinema has on Indian filmmakers of the period, who were integrating its conventions with indigenous artistic traditions to articulate an Indian modernity. It considers the way American films in the 1920s presented an orientalist fantasy of Asia, which occluded the harsh realities of anti-Asian sentiment and legislation in the period as well as the exciting engagement of anti-imperial activists who sought to use the United States as the base of a transnational network. The book goes on to analyse the American ‘empire films’ of the 1930s, which adapted British narratives of empire to represent the United States as a new global paradigm. Presenting close readings of films, literature and art from the era, the book engages cinema studies with theories of post-colonialism and transnationalism, and provides a novel approach to the study of Indian cinema.
Posted in History

Contemporary Hollywood Cinema

Author: STEVE NEALE,Murray Smith

Publisher: Routledge

ISBN: 1135108838

Category: Social Science

Page: 360

View: 6764

A comprehensive overview of the film industry in Hollywood today, Contemporary Hollywood Cinema brings together leading international cinema scholars to explore the technology, institutions, film makers and movies of contemporary American film making.
Posted in Social Science

American Cinema of the 1960s

Themes and Variations

Author: Barry Keith Grant

Publisher: Rutgers University Press

ISBN: 0813544718

Category: Performing Arts

Page: 296

View: 8540

The profound cultural and political changes of the 1960s brought the United States closer to social revolution than at any other time in the twentieth century. The country fragmented as various challenges to state power were met with increasing and violent resistance. The Cold War heated up and the Vietnam War divided Americans. Civil rights, women's liberation, and gay rights further emerged as significant social issues. Free love was celebrated even as the decade was marked by assassinations, mass murders, and social unrest. At the same time, American cinema underwent radical change as well. The studio system crumbled, and the Production Code was replaced by a new ratings system. Among the challenges faced by the film industry was the dawning shift in theatrical exhibition from urban centers to surburban multiplexes, an increase in runaway productions, the rise of independent producers, and competition from both television and foreign art films. Hollywood movies became more cynical, violent, and sexually explicit, reflecting the changing values of the time. In ten original essays, American Cinema of the 1960s examines a range of films that characterized the decade, including Hollywood movies, documentaries, and independent and experimental films. Among the films discussed are Elmer Gantry, The Apartment, West Side Story, The Manchurian Candidate, To Kill a Mockingbird, Cape Fear, Bonnie and Clyde, 2001: A Space Odyssey, Midnight Cowboy, and Easy Rider.
Posted in Performing Arts

The Catholic Church and Hollywood

Censorship and Morality in 1930s Cinema

Author: Alexander McGregor

Publisher: I.B.Tauris

ISBN: 1848856539

Category: History

Page: 225

View: 418

During the 1930s, the Catholic Church in the US was engaged in a metaphorical "war" against the increasingly modern and secular values of the American public. Alexander McGregor offers a detailed account of how the Church, feeling itself to be under siege, used media - and particularly cinema - to reach out to Americans. The 1930s were the "golden age" for Hollywood, and the Church saw the film industry as an opportunity to engender a pro-Catholic social moral code among the US population. McGregor examines the ways in which the American Catholic Church sought to directly influence film production through its involvement with censorship bodies such as the Legion of Decency, and through Catholics in positions of influence within Hollywood itself. This is a vital new contribution to the history of American cinema and religion, as well as American culture and social history.
Posted in History

The Decline of Sentiment

American Film in the 1920s

Author: Lea Jacobs

Publisher: Univ of California Press

ISBN: 0520237013

Category: History

Page: 358

View: 824

Seeking to characterise the radical shifts in taste that changed American life in the Jazz Age, Jacob documents the fims and film genres that were considered old-fashioned, as well as those considered more innovative, and looks closely at the work of Erich von Stroheim, Charlie Chaplin, Ernst Lubitsch, Monta Bell, and others.
Posted in History

Hollywood Melodrama and the New Deal

Public Daydreams

Author: Anna Siomopoulos

Publisher: Routledge

ISBN: 0415882931

Category: History

Page: 154

View: 9964

While many critics have analyzed the influence of the FDR administration on Hollywood films of the era, most of these studies have focused either on New Deal imagery or on studio interactions with the federal government. Neither type of study explores the relationship between film and the ideological principles underlying the New Deal. This book argues that the most important connections between the New Deal and Hollywood melodrama lie neither in the New Deal iconography of these films, nor in the politics of any one studio executive. Rather, the New Deal figures prominently in Hollywood melodramas of the Depression era because these films engage the political ideas underlying welfare state policies—ideas that extended the reach of government into the private realm. As the author shows, Hollywood melodramas interrogated New Deal principles of liberal empathy—consumer citizenship, the refeudalization of the state, and minimal economic redistribution—only to support welfare-state ideology in the end.
Posted in History

"Film Europe" and "Film America"

cinema, commerce and cultural exchange, 1920-1939

Author: Andrew Higson,Richard Maltby

Publisher: Univ of Exeter Pr

ISBN: N.A

Category: History

Page: 406

View: 5579

A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony. The book has an impressive array of top scholars from both America and Europe, including Thomas Elsaesser, Kristin Thompson and Ginette Vincendeau, as well as essays by some younger scholars who have recently completed new archival research. It also includes a number of primary documents selected by the contributors to illuminate their arguments and provide a stimulus to further research. This book is a volume in the series Exeter Studies in Film History, and represents a major contribution to cinema scholarship as well as reflecting a strong interest in an area of study currently being developed in university departments and at the British Film Institute. Winner Prix Jean Mitry 2000
Posted in History

Street with No Name

A History of the Classic American Film Noir

Author: Andrew Dickos

Publisher: University Press of Kentucky

ISBN: 0813137497

Category: Performing Arts

Page: 328

View: 4023

A Choice Outstanding Academic Title Flourishing in the United States during the 1940s and 50s, the bleak, violent genre of filmmaking known as film noir reflected the attitudes of writers and auteur directors influenced by the events of the turbulent mid-twentieth century. Films such as Force of Evil, Night and the City, Double Indemnity, Laura, The Big Heat, The Killers, Kiss Me Deadly and, more recently, Chinatown and The Grifters are indelibly American. Yet the sources of this genre were found in Germany and France and imported to Hollywood by emigré filmmakers, who developed them and allowed a vibrant genre to flourish. Andrew Dickos's Street with No Name traces the film noir genre back to its roots in German Expressionist cinema and the French cinema of the interwar years. Dickos describes the development of the film noir in America from 1941 through the 1970s and examines how this development expresses a modern cinema. Dickos examines notable directors such as Orson Welles, Fritz Lang, John Huston, Nicholas Ray, Robert Aldrich, Samuel Fuller, Otto Preminger, Robert Siodmak, Abraham Polonsky, Jules Dassin, Anthony Mann and others. He also charts the genre's influence on such celebrated postwar French filmmakers as Jean-Pierre Melville, François Truffaut, and Jean-Luc Godard. Addressing the aesthetic, cultural, political, and social concerns depicted in the genre, Street with No Name demonstrates how the film noir generates a highly expressive, raw, and violent mood as it exposes the ambiguities of modern postwar society.
Posted in Performing Arts